9.20.2025

I pray to what you are not

Out there, somewhere, 
you are a variable 
in the night's equation. 
 
I listen hard 
to the hands of smoke 
moving beneath the river, 
 
to the abandoned grain elevator 
dragging its chains 
through the tender blood 
of the night. 
 
I listen to the hush 
of your name 
as it's subtracted 
from one darkness 
then added to another. 
             
            *
 
I pray to what you are not. 
 
You are the opposite of a horse. 
Your hair is not the seven colors 
of cemetery grass. 
Your mouth is not a dead moon, 
 
nor is it the winter branches 
preparing their skeletons 
for the wind. 
A double thread of darkness 
winds through me, 
and the night's coarse tongue 
scrapes your name 
against the trees. 
 
            
 
I've found a good spot by the river. 
 
The trees line up along either bank 
and bend toward the center. 
 
I've been trying to get rid 
of that part of myself 
that I most despise 
but need most to survive— 
it rises like wood smoke, 
 
it's shaped like a brass key, 
and the hole it looks to enter 
can be seen through, 
revealing a banquet hall 
with one chair 
and countless silver trays 
piled with rags. 
 
            
 
Is your voice in the linden 
wood of an oar? 
Your face in the daily ritual 
of the Cooper's hawk? 
 
Is your charity the green rot 
of a fence post? 
 
Are you near me 
as I clean this ashtray 
with my sleeve? 
 
Are you the dead doe's skull 
shining from within itself?—
 
I've been pretending 
not to hear it speak to me, 
 
even though I've entered its voice, 
hung my coat 
from a nail in its pantry 
 
without bumping the table 
or creaking the floor 
 
and moved in the utter darkness of it. 
 
            
 
It's finally late enough 
that all sounds 
are the sounds of water. 
 
If you die tonight 
I'll wash your feet. 
I'll remove the batteries 
from the clocks. 
 
And the two moths 
that drown in the lakes 
of your eyes 
will manage the rest. 
 
[Michael McGriff ‘Invocation’, from Home Burial]

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