10.12.2020

he sheds a few tears, but secretly

There are lives in which nothing goes right. 
The would-be suicide takes a bottle of pills 
and immediately throws up. He tries 
to hang himself but gets his arm caught 
in the noose. He tries to throw himself 
under a subway but misses the last train. 
He walks home. It is raining. He catches a cold 
And dies. Once in heaven it is no better. 
He mops the marble staircase and accidentally 
jams his foot in the pail. All his harp strings 
break. His halo slips down over his neck 
and nearly chokes him. Why is he here? 
demands one of the noble dead, an archbishop 
or general, a leader of men: If a loser 
like that can enter heaven, then how is it 
an honor for us to be here as well— 
those of us who are totally deserving? 
But the would-be suicide knows none of this. 
In the evening, he returns to his little cloud house 
and watches the sun set over the planet Earth. 
He stares down at the cities filled with people 
and thinks how sad it is that they should 
rush backwards and forwards as if they had 
some great destination when their only 
destination is death itself—a place 
to be reached by sitting as well as running. 
He thinks about his own life with its 
betrayals and disappointments. Regret, regret— 
how he never made a softball team, how his 
favorite shirts always shrank in the wash. 
His eyes moisten and he sheds a few tears, but 
secretly, because in heaven crying is forbidden. 
Still, the tears tumble down through all those layers 
of blue sky and strike a salesman rushing 
between Point A and Point B. The salesman slips, 
staggers, and stops as if slapped in the face. 
People on the street think he’s crazy or drunk. 
Why am I selling ten thousand ballpoint pens? 
he asks himself. Suddenly his only wish is to 
dance the tango. He sees how the setting sun 
caresses the cold faces of the buildings. 
He sees a beautiful woman and desperately wants 
to ask her to stroll in the park. Maybe he will 
kiss her cheek; maybe she will love him back. 
You maniac, she tells him, didn’t you know 
I was only waiting for you to ask me?

[Stephen Dobyns {1941- } 'The Invitation', from Cemetery Nights]

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