a place ain’t a place without a bookstore

More accurate than a Buzzfeed quiz; less accurate than your therapist’s raised eyebrow.🤨

 

📚 What Kind of Bookstore Are You? 

 

Bookstores come in many varieties. Some are cozy labyrinths of old paperbacks, some are bright community gathering places, some specialize in rare treasures, and some invite you to linger for hours with coffee and a good read. If your personality were a bookstore, what kind would it be? Take this quiz to find out.  

---

1. When you enter a bookstore, your first instinct is to: 

    A. Wander the shelves and see what unexpected book finds you. 

    B. Head straight to a cozy reading chair. 

    C. Look for beautifully curated displays. 

    D. Ask for recommendations and start a conversation. 

 

2. Your ideal bookstore atmosphere is: 

    A. Floor-to-ceiling shelves and the smell of old paper. 

    B. Soft lighting and quiet corners. 

    C. Stylish, thoughtfully arranged, and visually inspiring. 

    D. Lively, welcoming, and full of readers. 

 

3. The books you’re most drawn to are: 

    A. Quirky finds and forgotten gems. 

    B. Comfort reads you can revisit anytime. 

    C. Beautiful editions or thoughtfully chosen titles. 

    D. Whatever people are excited to talk about. 

 

4. Your role in a reading community would probably be: 

    A. The treasure hunter who discovers unusual books. 

    B. The quiet reader always happy to share a favorite. 

    C. The curator with impeccable taste. 

    D. The enthusiastic host of book discussions. 

 

5. Visitors leaving your bookstore would probably say: 

    A. “I found something I didn’t even know I wanted.” 

    B. “That place felt wonderfully peaceful.” 

    C. “Every book there felt thoughtfully chosen.” 

    D. “Everyone there was so welcoming.” 

 

Results in the comments! 

 

[the title quotation is by Gabrielle Zevin, from The Storied Life of A.J. Fikry]

it went historically well

A man lies down in my mind. 

We have just made love. 

It went historically well, the kind 

of hand-in-glove 

expertise team workouts can evoke. 

Now we lie still and smoke, 

the ashtray on my belly blue 

as chicory in the dixie cup 

on the deal bureau. True, 

it's a borrowed room. Third-floor walk-up 

as a matter of fact, 

foreign enough to enhance the act. 

Say it's Grand Forks, where I've never been. 

All this takes place in the head, 

you understand. I play to win 

back wicked afternoons in bed, 

old afternoons that were 

shadows on the grass longer 

than home runs lofted out of the park. 

We smoke. The chicory blue goes dark, 

the ashtray deepens 

and the sun drops 

under the rim the way it happens 

like a used-up lollipop 

and the room goes blind 

and a man 

a man lies down in my mind. 

 

[Maxine Kumin {1925-2014} 'This Day Will Self-Destruct', from Our Ground time Here will be Brief]

so, you're an enforcer...at a hotel?

Average rating: 7.25

Police Story {Ging chaat goo si} (1985) - "After a high-risk operation brings down a powerful drug lord, a determined Hong Kong police officer is assigned to protect a key witness—only to find himself entangled in a web of intimidation, corruption, and public pressure that threatens both the case and his reputation. In this world, the line between heroism and collateral damage blurs as duty collides with chaos. Driven by escalating set pieces and grounded by flashes of humor and human frustration, the film captures a man trying to do the right thing in a system that rarely makes it easy." 

length: 1h, 40m  |  source: my DVD  |  directed by Jackie Chan  |  why I watched: I have loved some of Chan's movies before (Gorgeous {1999}, Little Big Soldier {2010}, Shaolin {2011}) and heard good things about this one.

IMDb: 7.5/10  |  Rotten Tomatoes: 90% / 88% Audience  |  my IMDb: 7/10  |  MPAA: PG-13

tone & texture: energetic, fast-cut/kinetic

notable quote: "'Don't you like her?'

    'Frankly, yes - but that's no reason for me to apologize. I know she's going to call back to say she's sorry.'"

my notes: entertaining, great stunts, a metric shit-ton of glass breaking. I didn't love it, but there are much, much less enjoyable ways to spend an evening. 

themes: courage

    The RogerEbert.com review is here - and it's 4 stars. 

overall:  recommended

 

Blood Simple. (1984) - "In a dusty Texas town, an adulterous affair sets off a chain of suspicion, betrayal, and escalating mistakes. What begins as a straightforward act of jealousy fractures into something far more unstable, as each character acts on incomplete information and private assumptions. Violence isn’t driven by grand motives but by small, human errors—misread intentions, panicked decisions, and the quiet, irreversible momentum that follows. The film tightens around its characters with clinical precision, revealing how quickly control can slip when no one sees the full picture." 

length: 1h, 39m  |  source: my DVD  |  directed by Joel Coen, Ethan Coen  |  why I watched: I have seen it, but it's long enough ago that I recalled nothing about it (except that Nick had something to do with seeing it the first time...)

IMDb: 7.5/10  |  Rotten Tomatoes: 94% / 88% Audience  |  my IMDb: 5/10  |  MPAA: R

tone & texture: unsettling, noir shadows

notable quote: "Never point a gun at anyone, unless you mean to shoot him. And if you shoot him, you better make sure he's dead. Because if he ain't dead, he's gonna get up and try to kill you. That's the only thing they taught us in the service that's worth a god damn."

my notes: bleak, harsh, and small. I guess I'm looking for some silver lining in my clouds.

themes: moral ambiguity

    Roger Ebert's 4-star review is here, and it is a doozy. "Is the movie fun? Well, that depends on you. It is violent, unrelenting, absurd, and fiendishly clever. There is a cliché I never use: “Not for the squeamish.” But let me put it this way. Blood Simple may make you squeam."

overall: very mildly recommended as a classic of a sort, and with a boatload of caveats

A Bittersweet Life {Dalkomhan insaeng} (2005) - "A disciplined enforcer working for a powerful crime boss lives by routine, restraint, and absolute loyalty—until a seemingly simple assignment places emotion in conflict with obedience. A moment of hesitation fractures the carefully ordered world of a man who has long suppressed his own desires and doubts. As violence escalates and betrayal reverberates outward, the film traces the unraveling of identity, revealing how quickly control collapses once a person begins to recognize the emptiness beneath their own discipline." 

length: 1h, 59m  |  source: my DVD  |  directed by Kim Jee-Woon  |  why I watched: it's been recommended to me by several sources

IMDb: 7.5/10  |  Rotten Tomatoes: 100% / 90% Audience  |  my IMDb: 9/10  |  MPAA: Not Rated

tone & texture: melancholic, crisp & modern

notable quote: "Stop digging. We're so fucked."

my notes: intensely violent, incredibly sad, frightening, melancholic, dirty. Maybe I'm not looking for silver linings in movies, so much as that the clouds feel like they matter?

themes: loyalty, identity

overall: strongly recommended

Panic in the Streets (1950) - "A routine murder investigation in the humid streets and crowded docks of New Orleans takes on terrifying urgency when a public health officer discovers that the victim carried a deadly contagious disease. Racing against time, bureaucracy, and public panic, officials attempt to trace the dead man’s final movements before infection can spread through the city. Blending semi-documentary realism with noir tension, Panic in the Streets transforms an invisible threat into a gripping manhunt, where exhaustion, skepticism, and human error prove nearly as dangerous as the disease itself." 

length: 1h, 36m  |  source: my DVD  |  directed by Elia Kazan  |  why I watched: I was in the mood for something black &white (previously reviewed here)

IMDb: 7.2/10  |  Rotten Tomatoes: 97% / 77% Audience  |  my IMDb: 8/10  |  MPAA: Approved

tone & texture: gritty, noir shadows

notable quote: "You're a fresh dame."

my notes: Richard Widmark is not my favorite, but this is a good movie well worth watching. Paul Douglas makes such a wonderful, weary, skeptical, logical counterpoint to Widmark's overenthusiastic nerd-bird character. My very favorite, though, is Barbara Bel Geddes as the plucky, smart, intuitive wife who runs the show without anyone else needing to know it. 

themes: chaos vs. order

Science History Institute's take on this film and its relevance in the COVID era is worth a read. 

Academy Award winner 

overall: highly recommended

 

[the title quotation is from A Bittersweet Life]

the ability not to care—at times—as our society erupts and struggles

they're right: maybe it's been too easy just writing about myself and 

horses and drinking, but then I'm not trying to prove anything, taking 

long walks lately has been pleasant and although my desire for the female 

remains, I find that I needn't always be on the lookout for new conquests. 

riding the same mare need not be boring. let the wild young fillies be a 

problem for other men. I am often satisfied just being alone. I now find 

people more amusing than disgusting (am I weakening?) and although 

I still have nights and days of depression the typewriter does not fail me. 

readers expect continual growth from their poets but at this time just 

holding (the fort, haha) seems miraculous. long walks, yes. and the ability 

not to care—at times—as our society erupts and struggles does not mean 

that I am the victim of artistic loss. solitary evenings behind drawn blinds, 

being neither rich nor poor, can be satisfying. will madness arrive on 

schedule? I don't know and I don't seek an answer-just a small quiet 

space between not knowing, not wanting to know and finally finding out. 

 

 [Charles Bukowski, {1920-1994} 'some personal thoughts', from Come On In!]

life has a cruel way of balancing pleasure with pain

More accurate than a Buzzfeed quiz; less accurate than your therapist’s raised eyebrow.🤨

 

🎬 Which Filmmaker Should Direct the Movie of Your Life? 🎦

 

If your life were a film, the director would matter a great deal. Some filmmakers emphasize sweeping emotion, others suspense, others quiet longing or bold artistic vision. Which cinematic mind would capture the rhythm, drama, and meaning of your story best? Take this quiz to discover who should be behind the camera.  

---

1. The tone of your life story would mostly be: 

    A. Grand and dramatic, full of big ideas. 

    B. Quietly romantic and emotionally reflective. 

    C. Hopeful and adventurous. 

    D. Tense and mysterious. 

 

2. Your ideal movie scene would involve: 

    A. A powerful monologue and striking visuals. 

    B. Two people sharing a quiet moment heavy with feeling. 

    C. A triumphant breakthrough after a long struggle. 

    D. A suspenseful situation where every detail matters. 

 

3. Your personal storytelling style tends to be: 

    A. Big themes and bold ideas. 

    B. Mood, memory, and atmosphere. 

    C. Warm, human, and inspiring. 

    D. Clever twists and sharp observations. 

 

4. The visual style of your life film would be: 

    A. Bold compositions and striking shadows. 

    B. Neon lights, slow motion, and lingering glances. 

    C. Expansive landscapes and emotional moments. 

    D. Carefully framed tension and visual clues. 

 

5. The audience leaving your movie would probably say: 

    A. “That was powerful.” 

    B. “That was beautiful.” 

    C. “That was uplifting.” 

    D. “That kept me guessing.” 

 

Results in the comments! 

 

[the title quotation is by Sidney Lumet, from Making Movies]

the muse (in other words)

Poor talker     mouthperson 

    alone 

waiting for bravery 

 

the muse (in 

    other words) 

        Oh language 

 

circumvent my tongue 

    tell pen 

        Move! 

 

Make text 

 

[Grace Paley {1922-2007} 'In France', from Begin Again: The Collected Poems]

strayed from my own nature and my fierce hold on life

The word I spoke in anger 

weighs less than a parsley seed, 

but a road runs through it 

that leads to my grave, 

that bought-and-paid-for lot 

on a salt-sprayed hill in Truro 

where the scrub pines 

overlook the bay. 

Half-way I'm dead enough, 

strayed from my own nature 

and my fierce hold on life. 

If I could cry, I'd cry, 

but I'm too old to be 

anybody's child. 

Liebchen, 

with whom should I quarrel 

except in the hiss of love, 

that harsh, irregular flame? 

 

[Stanley Kunitz {1905-2006} 'The Quarrel', from Passing Through: The Later Poems, New and Selected]

she was lonely, too - lonely in a way that perhaps only single girls fresh from small Midwestern towns know

More accurate than a Buzzfeed quiz; less accurate than your therapist’s raised eyebrow.🤨

 

🏡 What Kind of Small Town Are You? 🏡

 

Some small towns are lively and colorful, others quiet and reflective. Some hum with creativity, while others feel timeless and comforting. If your personality were a small town on the map, what kind would it be? Take this quiz to discover the place that matches your personal vibe.  

---

1. A perfect Saturday in your town would include: 

    A. A farmers’ market and live music in the square. 

    B. A quiet walk along a river or wooded trail. 

    C. Art galleries, little cafés, and creative energy. 

    D. A classic diner breakfast where everyone knows your name. 

 

2. Your town’s main street would be known for: 

    A. Festivals, parades, and seasonal celebrations. 

    B. Scenic beauty and peaceful views. 

    C. Quirky shops and creative spaces. 

    D. Friendly locals and timeless charm. 

 

3. Visitors would describe your town as: 

    A. Fun and full of life. 

    B. Calm and restorative. 

    C. Creative and a little unexpected. 

    D. Welcoming and comforting. 

 

4. Your role in the community would probably be: 

    A. Event organizer or enthusiastic host. 

    B. Nature guide or peaceful wanderer. 

    C. Artist, writer, or creative spirit. 

    D. Reliable neighbor who keeps traditions alive. 

 

5. The feeling people get when they visit your town is: 

    A. “This place knows how to celebrate.” 

    B. “I could breathe here.” 

    C. “Something interesting is always happening.” 

    D. “This feels like home.” 

 

Results in the comments! 

 

[the title quotation is by Stephen King, from A Winter's Tale: The Breathing Method]

always between

between the lip 

and the kiss 

between the hand 

and the fist 

between rumor 

and prayer 

between dungeon 

and tower 

between fear 

and liberty 

always 

between 

 

[Rita Dove {1952- } ‘Third Juror’, from American Smooth]

when you've gray hair, people think your heart never skipped

Average rating: 8

Dragon {Wu Xia} (2011) - "In a quiet rural village, a seemingly mild-mannered paper maker becomes an unlikely hero after stopping two dangerous criminals—drawing the attention of a meticulous investigator who suspects there’s more to the man than meets the eye. In Dragon (also known as Wu Xia), the story unfolds as a slow-burning unraveling of identity, where past and present collide and violence carries lasting consequence. What begins as a mystery gradually reveals itself as something more elemental: a man trying to outrun who he once was." 

length: 1h, 38m  |  source: my DVD  |  directed by Peter Chan  |  why I watched: Donnie Yen is growing on me, and of course Takeshi Kaneshiro is a big draw

IMDb: 7.0/10  |  Rotten Tomatoes: NA% / 81% Audience  |  my IMDb: 7/10  |  MPAA: R

tone & texture: somber, textured/earthy

notable quote: "'You have more questions?'

    'I'll think of something.'"

my notes: astonishingly beautiful, this film is made up of some innovative, remarkable, brain-twisting camera work and editing. That means lots of sighs (the rain! paper-making! the river!) and some gasps (the inspector, inspecting! the river!) and a few gags (the EAR!). The action sequences are terrific. 

themes: identity, tradition vs. change, justice

overall:  recommended

 

Belfast (2021) - "Seen through the eyes of a young boy, this film captures a working-class family navigating the sudden eruption of sectarian unrest in late-1960s Northern Ireland. Ordinary routines—school, movies, neighborhood bonds—are disrupted by forces the child can’t fully understand, even as they reshape the family’s sense of home. The film balances moments of warmth and humor with the growing pressure of a world becoming less safe, asking what it means to belong when staying and leaving both carry a cost." 

length: 1h, 37m  |  source: my DVD  |  directed by Kenneth Branagh (also written by)  |  why I watched: I'd heard such good things

IMDb: 7.2/10  |  Rotten Tomatoes: 86% / 92% Audience  |  my IMDb: 8/10  |  MPAA: PG-13

tone & texture: tender, documentary - real

notable quote: "'"Too long a sacrifice can make a stone of the heart."'

    'Is that what does it?'

    'Yeah, well, you don't usually buy your wisdom with a walk in the park. Your heart has to explode.'

    'Mr. Philosopher. And when did your heart ever explode?'"

my notes: a terrific, well-made, stunning-looking film (so stunning, it seems like a series of still images rather than primarily a moving picture) that I never, ever want to see again. Ciarán Hinds and Judi Dench blew me away. It was my first exposure to Jamie Dornan, and to Caitríona Balfe since Ford v. Ferrari. It's just... I spent the entire time with feelings of intense discomfort, bordering on fear, and it was never quite resolved. It left a mark, and not in a good way. 

themes: loss, identity, loyalty

overall: highly recommended

This is Not What I Expected {Xi huan ni} (2017) - "A chance collision between a tightly wound executive and a fiercely intuitive chef sets off a quiet chain reaction neither quite understands at first. What begins in irritation and misalignment gradually becomes a series of small, revealing encounters—where taste, habit, and attention carry more meaning than intention alone. Rather than building toward sweeping declarations, the film lingers in the in-between: moments where people test, resist, and slowly adjust to one another’s presence. As routines are disrupted and assumptions quietly undone, connection emerges not as inevitability, but as something tentative, shaped through curiosity, friction, and the willingness to let another person alter the shape of your world." 

length: 1h, 46m  |  source: my DVD  |  directed by Derek Hui  |  why I watched: after the last film, I wanted something that I knew I would love and be comforted by (previously reviewed here)

IMDb: 6.7/10  |  Rotten Tomatoes: 78% / 87% Audience  |  my IMDb: 10/10  |  MPAA: TV-PG

tone & texture: intimate, lush & romantic

notable quote: "'You're not just a chef. You're special... but sometimes too special. That's beyond any standard. So special that you can't be controlled. So special that I don't know what to do with you.'"

my notes: it's a rare movie that I'll watch twice in two months. Or that I'll buy on DVD after having streamed it. Or whose rating I'll upgrade from 9/10 to 10/10 upon second viewing. This is a unicorn of a movie, and I absolutely love it. 

    It was, incidentally, produced by Peter Ho-sun Chan, who directed Takeshi Kaneshiro in Dragon. Very different films, sharing an interesting aesthetic thanks to that combo.

themes: chaos v. order, love, tradition vs chaos

overall: most strongly recommended

The Natural (1984) - "A gifted but enigmatic ballplayer arrives midseason to revive a struggling team, carrying with him a past that is both obscured and unresolved. In The Natural, myth and memory intertwine with America’s pastime, as talent alone proves insufficient without timing, integrity, and a reckoning with what came before. Told with a sense of quiet grandeur, the film traces the arc of a man who seems larger than life, yet is shaped—like anyone—by missed chances and the fragile hope of redemption." 

length: 2h, 18m  |  source: my DVD  |  directed by Barry Levinson  |  why I watched: the death of Robert Redford (and Robert Duvall) made it important to re-watch (previously reviewed here) 

IMDb: 7.4/10  |  Rotten Tomatoes: 83% / 88% Audience  |  my IMDb: 7/10  |  MPAA: PG

tone & texture: warm, lush & romantic

notable quote: "My life didn't turn out the way I expected."

my notes: it's not a bad movie, just very forgettable. If you like sports films whose purpose is to feature an inspiring hero—Rudy, Miracle, The Blind Side—then this is probably for you. If you're like me, and prefer movies about sports to be more than one infallible giant, then you're looking for something more nuanced, e.g. Bull Durham, Tin Cup, 42, or Breaking Away. 

    Regardless, this is Robert Redford making it look easy at the age of 47. No knocks on that.

    Roger Ebert's review is here (and, no surprise, he didn't love it either). 

themes: redemption, courage

overall:  recommended

 

[the title quotation is from Belfast]

the pool of dreams in which I drown in freedom

You are the company to whom I speak 

suddenly, all alone. 

The words that start 

from silence form you 

and the pool of dreams 

in which I drown in freedom 

till I wake. 

 

Your metallic hand 

strengthens the swift prise of my own, 

directs the pen 

that draws its littoral across the page. 

 

Your voice, sickle of the echo, 

is the reverberation of my voice against the wall, 

and in your mirrored flesh 

I see myself look thru a thousand Arguses, 

thru me, extended seconds. 

 

But the slightest sound drives you to flight, 

and I see you leave 

thru the door of the book 

or thru the atlas of the ceiling, 

thru the chessboard of the floor, 

or the page of the mirror, 

and you leave me 

heart stopped, wordless and faceless, 

stripped like a naked man of all my masks 

in the middle of the staring street. 

 

[Xavier Villaurrutia {1903-1950} 'Poetry', from Homesick for Death: Dead nocturnes—The complete poems of Xavier Villaurrutia]

good food is the foundation of genuine happiness

More accurate than a Buzzfeed quiz; less accurate than your therapist’s raised eyebrow.🤨

 

🌮 What’s Your Cinco de Mayo Mexican Meal? 🫔

 

Cinco de Mayo is as good an excuse as any to celebrate with good food, bright flavors, and maybe a little spice. But everyone approaches the table a little differently—some crave bold heat, some prefer comfort, some love a lively spread to share. Take this quiz to discover which Mexican meal best matches your personality.  

---

1. When you’re hungry and deciding what to eat, you usually: 

    A. Go straight for something bold and flavorful. 

    B. Choose a reliable favorite you know you’ll love. 

    C. Order several things so you can try a bit of everything. 

    D. Pick something comforting and satisfying. 

 

2. Your ideal dinner atmosphere is: 

    A. Lively and energetic. 

    B. Casual and relaxed. 

    C. Social and full of conversation. 

    D. Cozy and satisfying. 

 

3. Pick a flavor profile: 

    A. Spicy and vibrant. 

    B. Fresh and bright. 

    C. Bold and varied. 

    D. Rich and comforting. 

 

4. When cooking or ordering food, you tend to: 

    A. Seek out the most exciting option. 

    B. Keep it simple and fresh. 

    C. Turn the meal into a shared experience. 

    D. Look for something hearty. 

 

5. Your friends would say your personality is: 

    A. Bold and energetic. 

    B. Easygoing and refreshing. 

    C. Social and generous. 

    D. Warm and dependable. 

 

Results in the comments! 

 

[the title quotation is from Auguste Escoffier]

calamity has already been and gone, its arrows still clean

I do not wake up buzzing with happiness. 

In fact my bed is full of wasps. I have been stung 

 

everywhere tender. I have not had fun 

in a long time, maybe in ever. 

 

My blessings do not run over and also 

I have none. My sink is leaking. 

 

My sink is running over with wasps. 

They have carried off all my sugar. 

 

See how poor I am, how luckless, how unshapely 

my head from which no hair falls in waves. 

 

I have no children to speak of, 

no robes sewn with threads of gold, 

 

no robes. I am a patch of dirt, a glass 

of vinegar, a bony goose among fat others. 

 

I am an unworthy enemy, small and mean. 

In fact calamity has already been and gone, 

 

its arrows still clean. I do not need to play dead. 

Not even death would want to play with me. 

 

 [Claire Wahmanholm, ‘If Anyone Asks’, from Meltwater: Poems]