4.12.2026

how to walk down a sidewalk without looking back

My older brother is walking down the sidewalk into the suburban summer night: 
white T-shirt, blue jeans— to the field at the end of the street. 
 
Hangers Hideout the boys called it, an undeveloped plot, a pit overgrown 
with weeds, some old furniture thrown down there, 
 
and some metal hangers clinking in the trees like wind chimes. 
He’s running away from home because our father wants to cut his hair. 
 
And in two more days our father will convince me to go to him— you know 
where he is— and talk to him: No reprisals. He promised. A small parade of kids 
 
in feet pajamas will accompany me, their voices like the first peepers in spring. 
And my brother will walk ahead of us home, and my father 
 
will shave his head bald, and my brother will not speak to anyone the next 
month, not a word, not pass the milk, nothing. 
 
What happened in our house taught my brothers how to leave, how to walk 
down a sidewalk without looking back. 
 
I was the girl. What happened taught me to follow him, whoever he was, 
calling and calling his name. 
 

4.11.2026

hungry for the old, familiar ways

Bananas ripe and green, and ginger-root, 
    Cocoa in pods and alligator pears, 
And tangerines and mangoes and grape fruit, 
    Fit for the highest prize at parish fairs, 
 
Set in the window, bringing memories 
    Of fruit-trees laden by low-singing rills, 
And dewy dawns, and mystical blue skies 
    In benediction over nun-like hills. 
 
My eyes grew dim, and I could no more gaze; 
    A wave of longing through my body swept, 
And, hungry for the old, familiar ways, 
    I turned aside and bowed my head and wept. 
 

4.10.2026

follies and nonsense, whims and inconsistencies do divert me, I own, and I laugh at them whenever I can

MindPlay Friday
More accurate than a Buzzfeed quiz; less accurate than your therapist’s raised eyebrow.🤨
 
📜 Which Jane Austen Character Speaks Your Truth? 📚
 
Jane Austen’s world is full of sharp observers, loyal hearts, quiet thinkers, and people who are not afraid to say exactly what they mean. Some navigate society with wit, others with patience, others with bold honesty. If one Austen voice were narrating your outlook on life, whose might it be? Take this quiz to find the character whose perspective most resembles yours.  

1. At a lively social gathering, you usually: 
    A. Observe the room quietly before deciding where you fit in. 
    B. Trade witty remarks with whoever seems interesting. 
    C. Make sure everyone is comfortable and included. 
    D. Say exactly what you think and let the room adjust. 
 
2. When faced with a difficult decision, you tend to: 
    A. Think carefully and act with quiet resolve. 
    B. Follow your instincts and trust your judgment. 
    C. Consider everyone else’s feelings first. 
    D. Speak plainly and deal with consequences later. 
 
3. Your friends appreciate that you: 
    A. Stay steady when emotions run high. 
    B. Bring intelligence and humor to every conversation. 
    C. Notice what others need before they say it. 
    D. Refuse to pretend when honesty is needed. 
 
4. Pick a motto that feels closest to your outlook: 
    A. “Grace under pressure.” 
    B. “A sharp mind keeps life interesting.” 
    C. “Kindness is never wasted.” 
    D. “Truth is better than politeness.” 
 
5. In a story, you are most drawn to characters who: 
    A. Show quiet strength over time. 
    B. Challenge the world with wit and intelligence. 
    C. Care deeply for the people around them. 
    D. Speak boldly and shake things up. 
 
Results in the comments! 
 
[the title quotation is by Jane Austen, from Pride and Prejudice]

we listen through large arrays adjusted eagerly to hear the news that we are not alone

We've always been out looking for answers, 
telling stories about ourselves, 
searching for connection, choosing 
to send out Stravinsky and whale song
which, in translation, might very well be 
our undoing instead of a welcome. 
 
We launch satellites, probes, telescopes 
unfolding like origami, navigating 
geomagnetic storms, major disruptions. 
Rovers with spirit and perseverance 
mapping the unknown. We listen 
through large arrays adjusted eagerly 
 
to hear the news that we are not alone. 
Considering the history at home, 
in houses, across continents, oceans, 
even in quests armed with good intentions, 
what one seeker has done to another— 
what will we do when we find each other? 
 

4.09.2026

from princess to woman in all her fresh particularity of difference

How could they think women a recreation? 
Or the repetition of bodies of steady interest? 
Only the ignorant or the busy could. That elm 
of flesh must prove a luxury of primes; 
be perilous and dear with rain of an alternate earth. 
Which is not to damn the forested China of touching. 
I am neither priestly nor tired, and the great knowledge 
of breasts with their loud nipples congregates in me. 
The sudden nakedness, the small ribs, the mouth. 
Splendid. Splendid. Splendid. Like Rome. Like loins. 
A glamour sufficient to our long marvelous dying. 
I say sufficient and speak with earned privilege, 
for my life has been eaten in that foliate city. 
To ambergris. But not for recreation. 
I would not have lost so much for recreation. 
 
Nor for love as the sweet pretend: the children's game 
of deliberate ignorance of each to allow the dreaming. 
Not for the impersonal belly nor the heart's drunkenness 
have I come this far, stubborn, disastrous way. 
But for relish of those archipelagoes of person. 
To hold her in hand, closed as any sparrow, 
and call and call forever till she turn from bird 
to blowing woods. From woods to jungle. Persimmon. 
To light. From light to princess. From princess to woman 
in all her fresh particularity of difference. 
Then oh, through the underwater time of night, 
indecent and still, to speak to her without habit. 
This I have done with my life, and am content. 
I wish I could tell you how it is in that dark, 
standing in the huge singing and the alien world. 
 
[Jack Gilbert {1925-2012}, 'Don Giovanni on his Way to Hell (II)' from Collected Poems]

4.08.2026

come out to a world made new

When I take the chilly tools 
from the shed's darkness, I come 
out to a world made new 
by heat and light. 
 
The snake basks and dozes 
on a large flat stone. 
It reared and scolded me 
for raking too close to its hole. 
 
Like a mad red brain 
the involute rhubarb leaf 
thinks its way up 
through loam. 
 
[Jane Kenyon {1947-1995} 'April Chores', from Otherwise: Poems]

4.07.2026

I am the one with the curiosity

Totally abashed and smiling 
                                                I walk in 
                                                sit down and 
                                                face the frigidaire
                            it’s April 
                            no May 
                            it’s May 
 
such little things have to be established in the morning 
after the big things of night 
                                        do you want me to come? when 
I think of all the things I’ve been thinking of 
                                                                    I feel insane 
simply “life in Birmingham is hell” 
                                                    simply “you will miss me 
                                                        but that’s good” 
when the tears of a whole generation are assembled 
they will only fill a coffee cup 
                                                just because they evaporate 
doesn’t mean life has heat 
                                                “this various dream of living” 
I am alive with you 
        full of anxious pleasures and pleasurable anxiety 
hardness and softness 
    listening while you talk and talking while you read 
I read what you read 
                            you do not read what I read 
which is right, I am the one with the curiosity 
                            you read for some mysterious reason 
                                I read simply because I am a writer 
the sun doesn’t necessarily set, sometimes is just 
                                                                            disappears 
                            when you’re not here someone walks in 
                                                                        and says “hey, 
there’s no dancer in that bed” 
                                O the Polish summers! those drafts! 
                            those black and white teeth! 
you never come when you say you’ll come but on the 
                                                    other hand you do come 
 
[Frank O'Hara {1926-1966} 'St. Paul and All That', from Lunch Poems]

4.06.2026

does it sound like I'm laughing, sweetheart?

Average rating: 6.8
 
The Great Rupert {A Christmas Wish} (1950)
The Great Rupert {A Christmas Wish} (1950) - "A gentle fantasy about a struggling vaudeville performer (Jimmy Durante), a financially desperate family, and a trained squirrel named Rupert who secretly lives in the ceiling of their boarding house. Rupert, unknowingly to the humans below, begins pushing hidden money through cracks in the floor, creating the illusion of miracles and divine intervention. His quiet, instinctive actions gradually transform despair into hope and soften the hearts of everyone involved." 
length: 1h, 27m  |  source: Fawesome  |  directed by Irving Pichel  |  why I watched: I saw a clip of a dancing squirrel online, and it led me here
IMDb: 6.4/10  |  Rotten Tomatoes: N/A% / 49% Audience  |  my IMDb: 7/10  |  MPAA: Approved
tone & texture: tender, monochrome/muted
notable quote: "It's so hard to find a job for a human pyramid!"
my notes: this is a gentle, kind, thoughtful film...that just happens to have a dancing squirrel, and a famous comedian, and a tuba-and-harp duet. It's not as surreal as it sounds, and it's not foolish. I liked it very much.
themes: hope, found family, courage
overall:  recommended
 
Seoul Raiders (2005)
Seoul Raiders {Han cheng gong lüe} (2005) - "Tony Leung Chiu-wai and director Jingle Ma reunite for this glossy Hong Kong caper that sends a team of stylish thieves racing through Seoul in pursuit of stolen printing plates and long-buried grudges. Mixing martial arts, gadgetry, and tongue-in-cheek banter, the film leans heavily into the playful spy-movie tradition while showcasing the easy charisma of its leads." 
length: 1h, 35m  |  source: my DVD  |  directed by Jingle Ma  |  why I watched: I liked Tokyo Raiders (2000; reviewed here), which is first in the nominal series
IMDb: 5.5/10  |  Rotten Tomatoes: NA% / 33% Audience  |  my IMDb: 4/10  |  MPAA: Not Rated
tone & texture: energetic, high-color/stylized
notable quote: "Oh—I forgot your problem; you're naked. Nature boy."
my notes: it's not the dumbest movie I've ever seen, and it is entertaining. It helps to have seen Tokyo recently—there are in-jokes—and to enjoy fast-moving action with lots of female protagonists. 
themes: chaos v. order
overall: marginally recommended
 
The Stranger (1946)
The Stranger (1946) - "In this tense postwar thriller, Orson Welles directs and stars as a man living quietly in small-town America under a carefully constructed identity—until a relentless investigator begins to pull at the threads of his past. A lean, shadow-heavy noir about guilt and exposure, the film builds its suspense through mounting unease rather than spectacle." 
length: 1h, 35m  |  source: Amazon Prime Video  |  directed by Orson Welles  |  why I watched: I hadn't seen it in a while, and wanted an especially good noir (previously reviewed here)
IMDb: 7.3/10  |  Rotten Tomatoes: 97% / 81% Audience  |  my IMDb: 8/10  |  MPAA: Approved
tone & texture: unsettling, noir shadows
notable quote: "Well, as a historian, I must remind you that the world hasn't had much trouble from Carthage in the past 2000 years."
my notes: beautifully shot and lit, this film is an engrossing look at a man mad with power and obsessed with his own brilliant uniqueness.
themes: identity, justice
overall: strongly recommended

The Adventurers (2017)
The Adventurers {Xia dao lian meng} (2017) - "Fresh out of prison, an expert thief assembles a small, highly skilled crew for one last audacious series of art heists across Europe. Moving from glittering galas to fortified vaults, The Adventurers follows a contest of nerve and strategy between the thieves and the relentless investigator tracking them. Sleek, playful, and globe-trotting, the film blends classic caper pleasures—disguises, misdirection, narrow escapes—with a nostalgic affection for the gentleman-thief tradition." 
length: 1h, 48m  |  source: Amazon Prime  |  directed by Stephen Fung  |  why I watched: it features two of my favorites, Jean Reno and Andy Lau
IMDb: 5.6/10  |  Rotten Tomatoes: 14% / 23% Audience  |  my IMDb: 7/10  |  MPAA: not rated
tone & texture: playful, fast-cut/kinetic
notable quote: "You need to hold on tighter."
The Adventurers {Xia dao lian meng} (2017)
my notes: if you see action movies only as a comparison with (or contrast to) an actor's previous work, then this is an example of failure. On the other hand, if one views this with the context of the actors' previous careers as a guide and reference, then it can be seen as an exploration of how an expert adapts and grows to remain relevant, and how age is not an automatic deterrent to skills and talents. 
    I love Andy Lau in this calm, casual, approachable persona. Seeing him in a hoodie, speaking English... it blew my mind. And watching Jean Reno kicking ass, being [seemingly] unintentionally hilarious, and finding joy in his work... that makes me happy
themes: loyalty, found family, identity
overall:  recommended
  
Ocean's Thirteen (2007)
Ocean's Thirteen (2007) - "Danny Ocean and his crew of skilled con artists unite for a high-stakes scheme to avenge a betrayal against one of their own. When their friend is wronged by the ruthless casino magnate Willy Bank, they devise an elaborate plan to sabotage his grand opening and execute a daring heist. Combining wit, charm, and ingenuity, they navigate the challenges of the casino world while showcasing the strength of their camaraderie and teamwork." 
length: 2h, 2m  |  source: my DVD  |  directed by Steven Soderbergh  |  why I watched: I've recently seen the 3 previous films, and wanted to complete the series 
IMDb: 6.9/10  |  Rotten Tomatoes: 70% / 75% Audience  |  my IMDb: 8/10  |  MPAA: PG-13
tone & texture: energetic, crisp & modern
notable quote: "We'll write them a check! [sheepish pause] We'll post-date it."
my notes: this is the best of the bunch. The setup is not excessively long in relation to the action, the characters are motivated by something other than pure greed, Catherine Zeta-Jones is mercifully absent, the villain is deliciously villainous, Vincent Cassel and Andy Garcia grace the screen, and the ultimate conclusion is joyous. 
themes: revenge
overall: highly recommended
 
[the title quotation is from Ocean's Thirteen]

tiny offspring of a bubble cluster

Who knew this little bit of spillage 
contained multitudes of what we all 
 
boil down to? Microorganisms 
swim a surface the wet silver 
 
of Poseidon's eyes. Spiralized lines, 
pulsing globules, tiny sacs filled with aspic. 
 
Obscenely, you can see right through 
them, sometimes down to their nuclei. 
 
They come in lovely colors. 
Is this natural or has the scientist 
 
who slid their slide under the microscope 
stained them orange, ochre and blue 
 
for better viewing? Their outlines 
waver like hand-drawn cartoons. 
 
They resemble party favors, 
tiny offspring of a bubble cluster 
 
and the plankton alphabet. 
Why, then, have I been so afraid 
 
of what I am made of breaking down 
into constituent parts, of one day 
 
rejoining this infinitesimal assembly, 
of becoming an orgy of particles 
 
too (beautiful and) numerous to count? 
 
[Amy Gerstler {1956- } 'A Drop of Seawater Under the Microscope', from The Best American Poetry 2016]

4.05.2026

a thing that could not feel

A slumber did my spirit seal; 
    I had no human fears: 
She seemed a thing that could not feel 
    The touch of earthly years. 
 
No motion has she now, no force; 
    She neither hears nor sees; 
Rolled round in earth's diurnal course, 
    With rocks, and stones, and trees. 
 

4.04.2026

no matter what temporarily expedient combination of allied interests wins the war

I, having loved ever since I was a child a few things, never 
    having wavered 
In these affections; never through shyness in the houses of the 
    rich or in the presence of clergymen having denied these 
    loves; 
Never when worked upon by cynics like chiropractors having 
    grunted or clicked a vertebra to the discredit of these 
    loves; 
Never when anxious to land a job having diminished them by 
    a conniving smile; or when befuddled by drink 
Jeered at them through heartache or lazily fondled the fingers 
    of their alert enemies; declare 
 
That I shall love you always. 
No matter what party is in power; 
No matter what temporarily expedient combination of allied 
    interests wins the war, 
Shall love you always. 
 

4.03.2026

when you expect to be happy you are not, when you don't expect to be happy there's suddenly Easter in your soul, though it be midwinter

MindPlay Friday
More accurate than a Buzzfeed quiz; less accurate than your therapist’s raised eyebrow.🤨
 
🐣 What Surprise Will You Find in Your Easter Basket? 🐰
 
Easter baskets aren’t just about candy (though no judgment if chocolate plays a supporting role). Sometimes the best surprises are the small, thoughtful things tucked underneath the grass—the little objects that hint at the season ahead. Something creative. Something cozy. Something quietly hopeful. Take this quiz to discover the surprise waiting in your basket this year.  

1. Your ideal Easter morning begins with: 
    A. A quiet hour with coffee and a good book. 
    B. A walk outside to see what’s blooming. 
    C. A burst of creativity—writing, drawing, making something. 
    D. A relaxed morning with music and something warm to drink. 
 
2. Pick a small joy: 
    A. Discovering a book that makes you forget the clock. 
    B. Watching a plant slowly come to life. 
    C. Filling a blank page with color or ideas. 
    D. Lighting a candle and settling into a peaceful moment. 
 
3. Your friends tend to come to you for: 
    A. Thoughtful recommendations and interesting conversation. 
    B. Calm encouragement and grounded advice. 
    C. Inspiration and creative ideas. 
    D. A soothing presence when things feel hectic. 
 
4. If your home had a “vibe,” it would be: 
    A. Books everywhere and cozy reading corners. 
    B. Plants slowly taking over every available surface. 
    C. Creative chaos—sketches, notes, and half-finished ideas. 
    D. Soft light, calm colors, and quiet comfort. 
 
5. Choose the phrase that resonates most: 
    A. “A good story changes the day.” 
    B. “Growth takes time.” 
    C. “Make something beautiful.” 
    D. “Peace is a practice.” 
 
Results in the comments! 
 
[the title quotation is by Elizabeth Goudge, from The White Witch]

burn me! Don't do this to me! Don't pass me over!

When the regime ordered that books with harmful knowledge 
Should be publicly burnt, and all around 
Oxen were forced to drag cartloads of books 
To the pyre, one banished poet 
One of the best, discovered, studying the list of the burnt 
To his horror, that his books 
Had been forgotten. He hurried to his desk 
On wings of rage and wrote a letter to the powers that be. 
Burn me! he wrote, his pen flying, burn me! 
Don't do this to me! Don't pass me over! Have I not always told 
The truth in my books? And now 
I am treated by you as a liar! 
                                            I order you: 
Burn me! 
 

4.02.2026

we did not hear, beneath our lives, The old walls falling out of true

Because we lived our several lives 
Caught up within the spells of love, 
Because we always had to run 
Through the enormous yards of day 
To do all that we hoped to do, 
We did not hear, beneath our lives, 
The old walls falling out of true, 
Foundations shifting in the dark. 
When seedlings blossomed in the eaves, 
When branches scratched upon the door 
And rain came splashing through the halls, 
We made our minor, brief repairs, 
And sang upon the crumbling stairs 
And danced upon the sodden floors. 
For years we lived at peace, until 
The rooms themselves began to blend 
With time, and empty one by one, 
At which we knew, with muted hearts, 
That nothing further could be done, 
And so rose up, and went away, 
Inheritors of breath and love, 
Bound to that final black estate 
No child can mend or trade away. 
 

4.01.2026

the fluster of hands glancing the skin or gripping a shoulder

The world does not need words. It articulates itself 
in sunlight, leaves, and shadows. The stones on the path 
are no less real for lying uncatalogued and uncounted. 
The fluent leaves speak only the dialect of pure being. 
The kiss is still fully itself though no words were spoken. 
 
 And one word transforms it into something less or other— 
illicit, chaste, perfunctory, conjugal, covert. 
Even calling it a kiss betrays the fluster of hands 
glancing the skin or gripping a shoulder, the slow 
arching of neck or knee, the silent touching of tongues. 
 
Yet the stones remain less real to those who cannot 
name them, or read the mute syllables graven in silica. 
To see a red stone is less than seeing it as jasper— 
metamorphic quartz, cousin to the flint the Kiowa 
carved as arrowheads. To name is to know and remember. 
 
The sunlight needs no praise piercing the rainclouds, 
painting the rocks and leaves with light, then dissolving 
each lucent droplet back into the clouds that engendered it. 
The daylight needs no praise, and so we praise it always— 
greater than ourselves and all the airy words we summon. 
 

3.30.2026

wisdom was never bought at so cheap a price

Average rating: 7.2

Unknown (2011)
Unknown (2011) - "After a serious car accident in Berlin, Dr. Martin Harris (Liam Neeson) awakes to find his world in utter chaos. His wife (January Jones) does not recognize him; another man is using his identity, and mysterious assassins are hunting him. The authorities do not believe his claims, and he must go on the run alone. With an unlikely ally (Diane Kruger), Martin leaps into a perplexing situation that will force him to discover how far he is willing to go for the truth." 
length: 1h, 53m  |  source: my DVD  |  directed by Jaume Collet-Serra  |  why I watched: I'd seen it before (previously reviewed here) but couldn't recall a thing about it. Since I'd originally watched because one of my favorites (Sebastian Koch) is in it, I thought it important to see it again.
IMDb: 6.8/10  |  Rotten Tomatoes: 56% / 55% Audience  |  my IMDb: 5/10  |  MPAA: PG-13
tone & texture: somber, crisp & modern
notable quote: "I didn't forget everything. I remember how to kill you, asshole."
my notes: insanely convoluted and tied to convenient circumstances, this is an engaging suspense film until too many of the wheels come off. I wanted to like it. The cast is quite good. The story, though... it's like having a ball of yarn when you want a sweater.
    Roger Ebert's review is here, which is both structurally useful to explain my difficulties with this movie and also very funny. "At some point, a thriller has to play fair."
themes: identity, memory, chaos v. order
overall: only marginally recommended
 
Separate Tables (1958)
Separate Tables (1958) - "Separate Tables unfolds within the faded dignity of a small seaside hotel in Bournemouth, where lives intersect not through grand events but through glances, pauses, and the fragile choreography of social survival. Each guest carries a private burden—regret, deception, loneliness, moral compromise—and the hotel becomes a kind of emotional terrarium, exposing how people construct identities to endure proximity with others. The film moves with restraint and compassion, revealing not explosive confrontations but slow unveilings, where humiliation and mercy coexist. Its emotional force lies in the quiet terror of being seen clearly, and the equally quiet grace of being accepted anyway." 
length: 1h, 40m  |  source: my DVD  |  directed by Delbert Mann  |  why I watched: this is a favorite, one that I seek out when I'm in an especially emotional mood (previously reviewed here)
IMDb: 7.3/10  |  Rotten Tomatoes: 68% / 76% Audience  |  my IMDb: 8/10  |  MPAA: Approved
tone & texture: intimate, classic Hollywood polish
notable quote: "It'll do."
Separate Tables (1958)
my notes: this is a movie about getting older (and how that can differ from "growing up"). Many cast members—particularly Rita Hayworth, Deborah Kerr, Wendy Hiller, and especially the magnificent David Niven—give terrifically vulnerable performances. Wonderful food for thought.
Academy Awards winner: Best actor (Niven); Best Supporting Actress (Hiller). 5x nominee  
themes: loss, identity, found family
overall: strongly recommended

Red Cliff II {Chi bi: Jue zhan tian xia} (2009)
Red Cliff II {Chi bi: Jue zhan tian xia(2009) - "The great coalition stands at the edge of annihilation. After the uneasy alliance of southern warlords halts the northern juggernaut of Cao Cao, strategy rather than sheer force must decide the future of China. In Red Cliff II, alliances deepen, rivalries sharpen, and every decision—military or personal—ripples across the battlefield. As deception, sacrifice, and intellect converge in one of history’s most legendary campaigns, the film moves steadily toward the inferno of the Red Cliffs, where wind, fire, and human ingenuity combine to reshape an empire. John Woo completes his epic with spectacle grounded in character, turning the famous battle into a meditation on loyalty, trust, and the delicate art of winning without losing oneself." 
length: 2h, 22m  |  source: my DVD  |  directed by John Woo  |  why I watched: I wanted a suitable film for Chinese New Year, and I'd recently seen the first in the set (reviewed here)
IMDb: 7.5/10  |  Rotten Tomatoes: N/A% / 82% Audience  |  my IMDb: 8/10  |  MPAA: Not rated
tone & texture: epic, high-color/stylized
notable quote: "I was wrong to scold you."
Red Cliff II (2009)
my notes: I have seen (and own) the separately packaged, edited-for-length, American version of the two Red Cliff films. There is also an international version that pairs the two original films (released a year apart) in their original structure. Taken together, this is a great movie: big, bold, intricately detailed but not bogged in meaningless detail (and with no facile explication, like modern US cinema seems to require). 
    There is no wrong note in the casting. Tony Leung Chiu-wai (Zhou Yu) and Takeshi Kaneshiro (Zhuge Liang) are the obvious draws, and each is masterful in his role. Zhou Yu is action, power, and skill, while Zhuge Liang is planning, strategy, and some mysticism. The other main characters are terrific as well: Fengi Zhang as deluded, power-mad Cao Cao; Wei Zhao as ingenious, strong, curious Sun Shangxiang (and Chang Chen as her over-protective brother, Sun Quan); and Shidô Nakamura as the unintentionally funny, grumpy Gan Xing. 
themes: sacrifice
overall: highly recommended

Barbary Coast (1935)
Barbary Coast (1935) - "In Gold Rush–era San Francisco, the notorious Barbary Coast thrives as a glittering enclave of gambling, music, and carefully managed lawlessness. Newly arrived from the East, a sharp-witted woman finds herself drawn into this world of card tables and smoky saloons, where the city’s most powerful man presides with charm, menace, and absolute control. As fortunes rise and loyalties shift, the line between opportunity and exploitation grows thin. This film offers a brisk, stylish look at a moment when San Francisco balanced precariously between frontier chaos and the coming order of modern city life." 
length: 1h, 31m  |  source: TubiTV  |  directed by Howard Hawks  |  why I watched: I was in the mood for something lighter, after the last few choices, and Joel McCrea is always a favorite
IMDb: 6.7/10  |  Rotten Tomatoes: 92% / 50% Audience  |  my IMDb: 7/10  |  MPAA: Approved
tone & texture: cynical, noir shadows
Barbary Coast (1935)
notable quote: "I like it when life's hidden; it gives you a chance to imagine nice things. Nicer than they are."
my notes: not exactly a Western, definitely not a romance, certainly not a crime story, this movie has elements of each. Miriam Hopkins is terrific as the heroine, Mary Rutledge. She reveals an interesting mix of almost innocent beauty, backbone, and intelligence. Edward G. Robinson revels in portraying the dastardly Luis Chamalis just at the edge of mustachio-twirling nonsense. And Joel McCrea is lovely, guileless, poetic and stubborn as Jim Carmichael. 
themes: chaos v. order, identity, love
Academy Award nominee 
overall:  recommended
 
The Missing: Series 1 (2014)
The Missing: Series 1 (2014) - "A family vacation in rural France turns into every parent’s nightmare when a young boy disappears without a trace. The Missing [series 1] follows the years-long search that consumes his father, moving between the immediate aftermath and the lingering consequences that ripple through everyone involved. Patient, tense, and emotionally raw, the series builds its mystery piece by piece, revealing how time, grief, and obsession reshape lives while the truth remains just out of reach." 
length: the series is made up of eight 60-minute episodes  |  source: my DVD  |  directed by Tom Shankland  |  why I watched: I am a fan of Tchéky Karyo's work, and his portrayal of the French detective Julien Baptiste is said to be terrific
IMDb: 8.1/10  |  Rotten Tomatoes: 93% / 90% Audience  |  my IMDb: 8/10 (based on episodes 1 and 2)  |  MPAA: TV-14
tone & texture: bleak, slow-build/atmospheric
my notes: I've only seen the first two episodes, so this review is incomplete. I'm watching the series in the old-fashioned way, one episode per week or two. It benefits from time in between, for sure. Less an action-thriller than a melancholy memory, it feels like a bruise that won't heal. So far, I know who the characters are, but not why they do what they do and certainly not how it's all going to turn out. It's easy to suspect nearly everyone of being somehow at fault. I intend to review this again when it's complete, before moving on to series 2.  
themes: memory
multiple awards wins and nominations including BAFTAs and Primetime Emmys 
overall:  recommended
 
[the title quotation is from Barbary Coast]