the hard rolls and the curled
butter, and tells me everything: two
women love him, he loves them, what
should he do?
The sunsifts down through the imperceptibly
brownish urban air. I’m going to
suffer for this: turn red, get
blisters or else cancer. I eat
asparagus with my fingers, he
plunges into description.
He’s at his wit’s end, sewed
up in his own frenzy. He has
breadcrumbs in his beard.
I wonderif I should let my hair go grey
so my advice will be better.
I could wrinkle up my eyelids,
look wise. I could get a pet lizard.
You’re not crazy, I tell him.
Others have done this. Me, too.
Messy love is better than none,
I guess. I’m no authority
on sane living.
Which is all true
and no help at all, because
this form of love is like the pain
of childbirth: so intense
it’s hard to remember afterwards,
or what kind of screams and grimaces
it pushed you into.
The shrimp arrive on their skewers,
the courtyard trees unroll
their yellow caterpillars,
pollen powders our shoulders.
He wants them both, he relates
tortures, the coffee
arrives and altogether I am amazed
at his stupidities.
I sit looking at him
with a sort of wonder,
or is it envy?
Listen, I say to him,
you’re very lucky.
[Margaret Atwood, 'Asparagus', from Morning in the Burned House]
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