Showing posts with label if you want my opinion. Show all posts
Showing posts with label if you want my opinion. Show all posts

1.22.2026

go and do your thing. Make us proud!

Book Review 
 
Rating * * * * 
 
 
Author: Julia London
 
Published: this novel was published in 2025 (!); I listened to the unabridged audiobook (Dreamscape Media; read by Amy McFadden; 10 hours) 
 
What is the story? 
A charming holiday romance that follows single mom Amy Casey as she escapes to a lakeside cottage to focus on her art. Her plans take an unexpected turn when she discovers that professional golfer Harrison Neely, who is recovering from an injury, has also rented the same house. As a snowstorm traps them together, their initial friction evolves into a deeper connection, allowing both to confront their pasts and rediscover the joy of love during the enchanting holiday season. --from various sources 
What type of language does it use—technical, complex, standard, or colloquial? standard
 
Does the level of language make it easy or difficult for the reader to follow? this is an engaging read, easy to follow
 
Did you like this book? yep, quite a bit
 
If you could change something, what would it be? there is a degree of external tension caused by a related group of people that seems to go on for too long. The mild acceptance of that chaos dimmed my admiration of the main characters, and made the eventual resolution of the conflict less powerful. 
 
What were your favourite parts? much like in the great Jennifer Crusie's books, there's just something about a sweet, slightly doofy dog to pull a romance along
 
Who stands out, among the characters? Harrison, the golfer, was most compelling for me. He's many-layered, not (just) living a life of pampering and ease. I also thought his openness and acceptance were genuinely revealed.
 
What is your recommendation? nice, mild, almost unobjectionable book, easy to read and causing no angst
 
5 adjectives you would use to describe this text: funny, engaging, thoughtful, inspiring, different 
 
[book review template 5 adapted from here; the title quotation is from the book]

1.15.2026

a living dead man. That is what I have been for some time now

Book Review 
 
Rating  * * * * 
 
 
 
Published: this novel was published in 2010; I listened to the unabridged audiobook (Blackstone Audio, Inc.; read by Stefan Rudnicki; 7 hours) 
 
What is the story? 
    Journal of the Gun Years by Richard Matheson is a gritty Western novel told through the discovered journals of marshal Clay Halser, a Civil War veteran whose legend as the “Hero of the Plains” grew across the post-war frontier.
    After a violent card-game incident forces him to flee his hometown, Clay drifts into the chaotic world of cow towns, stagecoach robberies, range wars, and saloon shoot-outs. Over time he earns a fearsome reputation as both outlaw and lawman, his steady nerve and quick draw propelling him from one violent episode to the next.
    Matheson uses Halser’s own journal entries to deconstruct the myth of the gunslinger, showing how fame and legend can warp a man’s sense of identity and doom him to a lonely, troubled end. It’s as much an emotional descent as a chronicle of frontier life—vivid, raw, and reflective on the cost of living by the gun.
 —compiled from various sources 
What type of language does it use—technical, complex, standard, or colloquial? colloquial, transitioning gradually into standard (as Clay Halser's facility with language grows)
 
Does the level of language make it easy or difficult for the reader to follow? there are moments in the first section that are just a bit hard to follow, but it smoothes out pretty quickly, and the audio version is always easier to follow.
 
Did you like this book? I did! It's way outside my typical subjects and genres, but that's not such a bad thing. It kept me entertained, and thinking about the real life of a gunfighter, as I decorated for Christmas.
 
What were your favourite parts? the most decisive battle in the story comes on calmly and quietly, but packs such a punch that I gasped aloud. It was brilliantly written and staged for maximum impact. I'm still impressed by the complications.
 
What is your recommendation? if you have even the slightest inkling toward Westerns, this is a very good one
 
5 adjectives you would use to describe this text: refreshing, violent, tender, surprising, powerful
 
[book review template 5 adapted from here; the title quotation is from the book]

1.08.2026

truth will come to light. Murder cannot be hid long

Book Review 
 
Rating * * * * 
 
 
Author: Susie Dent
 
Published: this fiction book was published in 2025; I listened to the  unabridged audiobook (Tantor Media, Inc.; read by Louise Brealey; c.13 hours)
 
What is the story? 
Guilty by Definition is a clever literary mystery that blends wordplay and crime solving. After ten years abroad, lexicographer Martha Thornhill returns to Oxford to work as a senior editor at the fictional Clarendon English Dictionary. Soon after she takes up her post, anonymous, cryptic letter start arriving at the office—each packed with linguistic clues and literary references that point back to the mysterious disappearance of her brilliant older sister, Charlie, a decade earlier.
What type of language does it use—technical, complex, standard, or colloquial? aha! Language is the crux of the whole thing! If you LOVE words, this novel will pull you in, hold you close, and keep you pondering well after the last chapter ends.
 
Did you like this book? yes, very much so
 
If you could change something, what would it be? bring me a sequel, dang it! I'm waiting for the next installment.
 
What were your favourite parts? the narration is terrific. Louise Brealey may be best known in the U.S. in her role as morgue "lab-rat" Molly Hooper in the BBC series Sherlock (starring Benedict Cumberbatch and Martin Freeman). Her facility with the complex dictionary language of this book, as well as with the place-names and other specifics, makes the listening smooth and engaging.
 
Who stands out, among the characters? I was drawn to Martha's youngest colleague, Safi. She is smart (of course), but in a both softer and more intense way than the others in the group. She is most comfortable with expressing emotions, more socially adept, and also clever in a distinct way.  
 
What is your recommendation? it's not for everyone, given the language, and the fact that language makes up such a huge part of it. There were times when I wished I were reading the book myself, because I wanted to go back and look at a word or a paragraph. For lovers of language, though, this is top-notch and highly recommended.  
 
5 adjectives you would use to describe this text: intricate, fun, twisty, erudite, thoughtful
 
[book review template 5 adapted from here; the title quotation is from the novel]

1.01.2026

people must have bread! People will grow angry without bread!

Book Review 
 
Rating  * *
 
Title: The Romanov Bride {a Romanov Novel, book 3}
 
 
Published: this fiction book was published in 2008; I listened to the unabridged audiobook (Blackstone Audio, Inc.; read by Stefan Rudnicki and Gabrielle de Cuir; 10 hours) 
 
What is the story? 
The Grand Duchess Elisavyeta's story begins like a fairy tale—a German princess renowned for her beauty and kind heart marries the Grand Duke Sergei of Russia and enters the Romanov's lavish court. Her husband, however, rules his wife as he does Moscow—with a cold, hard fist. And, after a peaceful demonstration becomes a bloodbath, the fires of the revolution link Elisavyeta's destiny to that of Pavel—a young Bolshevik—forever. --from barnesandnoble.com
What type of language does it use—technical, complex, standard, or colloquial? very colloquial. It was not difficult to follow, but neither was it a matter of just accepting what's on the page. 
 
Did you like this book? nope
 
If you could change something, what would it be? I very, very much disliked the voice of the main character, Elisavyeta. Self-centered, emotionally obtuse, and obsessed with her wealth and appearance, she was impossible to like. Worse, though, she was voiced in a manner both meek and strikingly condescending. I absolutely loathed that character. Rudnicki's presentation of the Pavel sections was at his usual high quality, but could not make up for de Cuir's portrayal of the abominable dishrag.
 
What were your favourite parts? Pavel's casually violent work for the revolution
 
What is your recommendation? read this if you have a high tolerance for tone-deaf, self-loving characters. Or, I suppose, if you liked the first two books in the series.
 
5 adjectives you would use to describe this text: unlikable, agenda-driven, dry, polar, sanctimonious
 
[book review template 5 adapted from here; the title quotation is from another of the authors books, Rasputin's Daughter]

10.23.2025

never stop fighting til the fight is done

Book Review 
 
Rating * * * *
 
 
 
Published: this nonfiction book was published in 2018; I listened to the unabridged audiobook (Harper Collins Audio; read by Stefan Rudnicki; 18 hours, 43 minutes) 
 
What is the story? 
    In 1929, thirty-year-old gangster Al Capone ruled both Chicago's underworld and its corrupt government. To a public who scorned Prohibition, 'Scarface' became a local hero and national celebrity. But after the brutal St. Valentine's Day Massacre transformed Capone into 'Public Enemy Number One,' the federal government found an unlikely new hero in a twenty-seven-year-old Prohibition agent named Eliot Ness. Chosen to head the legendary law enforcement team known as 'The Untouchables,' Ness set his sights on crippling Capone's criminal empire.
    Today, no underworld figure is more iconic than Al Capone and no lawman as renowned as Eliot Ness. Yet in 2016 the
Chicago Tribune wrote, "Al Capone still awaits the biographer who can fully untangle, and balance, the complexities of his life," while revisionist historians have continued to misrepresent Ness and his remarkable career.
    Enter Max Allan Collins and A. Brad Schwartz, a unique and vibrant writing team combining the narrative skill of a master novelist with the scholarly rigor of a trained historian. Collins is the
New York Times bestselling author of the gangster classic Road to Perdition. Schwartz is a rising-star historian whose work anticipated the fake-news phenomenon.
    
Scarface and the Untouchable draws upon decades of primary source research—including the personal papers of Ness and his associates, newly released federal files, and long-forgotten crime magazines containing interviews with the gangsters and G-men themselves. Collins and Schwartz have recaptured a bygone bullet-ridden era while uncovering the previously unrevealed truth behind Scarface's downfall. Together they have crafted the definitive work on Capone, Ness, and the battle for Chicago. --from Amazon.com 
What type of language does it use—technical, complex, standard, or colloquial? standard and colloquial
 
Does the level of language make it easy or difficult for the reader to follow? very easy. This is a smoothly-written book.
 
Did you like this book? I did, albeit from a bestseller/consumer standpoint, more than the historian point of view. 
 
If you could change something, what would it be? I think it's just a limitation of the audiobook format, but I lost the thread now and then given the massive "cast of characters". I needed to go back and forth between internet searches and the book at times, to re-grasp which side certain guys were on. 
 
Eliot Ness
What were your favourite parts? Eliot Ness is more compelling to me than Capone is, so I liked the background and action that was focused on him. 
 
Who stands out, among the characters? Ness, of course—an intellectually curious introvert who could fake extroversion when he had to. Frank Nitti, the logician behind the Outfit. Bugs Moran, the Northsider with a tendency to hide out when things got hot, who narrowly missed being a victim of the St. Valentine's Day Massacre.
 
What is your recommendation? great for fans of true crime, Chicago history, The Outfit and other connections, and of course for investigative law enforcement
 
5 adjectives you would use to describe this text: fast, thorough, fascinating, violent, satisfying
CAVEAT: the introduction of this book is terrible. Loudly and offensively dismissive of other works on these subjects—including the 1987 fictional feature film—that came before. There's just no need for that, especially in a book that takes itself very seriously.
    If any of the blog's readers decide to try the book, please just skip the self-aggrandizing intro, which isn't at all necessary to (and seriously detracts from) this work. 
[book review template 5 adapted from here; the title quotation is attributed to Eliot Ness]

10.16.2025

every human creature is constituted to be that profound secret and mystery to every other

Book Review 
 
Rating * * * *
The Last Refuge (2005)
 
Title: Book 1: The Last Refuge
    Book 2: Two Time
 
Author: Chris Knopf
 
Published: The Last Refuge, a mystery novel, was published in 2005; I listened to the unabridged audiobook (Blackstone Audio, Inc.; read by Stefan Rudnicki; 11 hours) 
    Two Time, a mystery novel, was published in 2006; I listened to the unabridged audiobook (Blackstone Audio, Inc.; read by Stefan Rudnicki; 10 hours) 
 
What is the story? 
    The Last Refuge: Sam Acquillo's at the end of the line. A middle-aged corporate dropout living in his dead parents' ramshackle cottage in Southampton's North Sea, Sam has abandoned friends, family and a big-time career to sit on his porch, drink vodka and stare at the Little Peconic Bay. But then the old lady next door ends up floating in her bathtub and it seems like Sam's the only one who wonders why. Despite himself, burned-out, busted up and cynical, the ex-engineer, ex-professional boxer, ex-loving father and husband finds himself uncovering secrets no one could have imagined, least of all Sam himself. Meanwhile, a procession of quirky characters intrudes on Sam's misanthropic ways. A beautiful banker, pot-smoking lawyer, bug-eyed fisherman and gay billionaire join a full complement of cops, thugs and local luminaries, and likes to which you never knew inhabited the hidden corners of the storied Hamptons: haves, have-nots and want-to-have-at-all-costs. Some deadly. Like Dr. Gernard Rieux in Camus' The Plague, tragedy has given Sam Acquillo an excuse to go on living, if for no other reason than to satisfy his curiosity, and maybe buy a little time before succumbing to the existential despair that has brought him to the brink. --from Audible.com 
    Two Time: Sam Acquillo, ex-boxer, ex-corporate executive, and accidental hero of The Last Refuge, can't seem to stay out of trouble. All he really wants to do is hammer a few nails into his ramshackle cottage, drink a great deal of vodka, and hang out with his dog, Eddie Van Halen. But when a car bomb outside a trendy waterfront restaurant kills a prominent financial consultant, injuring Sam and his lawyer friend, he is drawn into the investigation. Where the police have met roadblocks, Sam makes inroads with his trademark wit, instinct, and charm. Set against the backdrop of Southampton, Long Island, Two Time is full of moody sunsets, beachfront properties, and beautiful people with an extraordinary amount of money and very dangerous secrets. --from Audible.com
What type of language do they use—technical, complex, standard, or colloquial? standard/colloquial. Sam is education and intelligent, but with the ability to speak like a normal guy.
 
Does the level of language make it easy or difficult for the reader to follow? very easy
 
Did you like these books? I did! Mystery is not my favorite genre, but I was in the mood for something engaging, not too complex (after the book reviewed last Thursday, I needed something less intellectual!), and part of a series that I might get into. This one, set in an area of the country I don't know much about, seems to fit the bill.
 
Two Time (2006)
If you could change something, what would it be? the main character, Sam, is kind of an obnoxious, oblivious guy. He has some good friends and supporting characters, and doesn't always deserve their loyalty or efforts. I hope that over the course of the series he grows up a little.
 
What were your favourite parts? there is a dog named Eddie Van Halen, a mixed-breed who enjoys fetching tennis balls from the bay, taking rides in the car (even just in the driveway), and having his head scratched. He has a heightened sense for danger that is believable and contributes to the story. Book dogs can be way more enjoyable to me than are the real, live version.
 
Who stands out, among the characters? besides Eddie, I'm a fan of Burton Lewis, Sam's friend who happens to be an attorney and a billionaire (among other things) and Joe Sullivan, of the the Southampton PD.
 
What is your recommendation? generally recommended to fans of modern fiction and mystery, and specifically for those with an interest in New York and its class system, in engineering, and in psychology
 
5 adjectives you would use to describe these texts: fun, intriguing, irreverent, alcoholic, cool
 
[book review template 5 adapted from here; the title quotation is by Charles Dickens, from A Tale of Two Cities]

10.09.2025

it seems probable that he was trying to yoke the fractious horses of his dream, to straddle transcendental idealism and scientific empiricism

Book Review 
 
Rating * *
 
 
Author: Randall Fuller
 
Published: this  nonfiction book was published in 2017; I listened to the unabridged audiobook (Penguin Audio; read by Stefan Rudnicki; 10 hours) (note: the 2 stars are the equivalent of a 4-star narration review. Rudnicki can make something out of nothing.)
 
What is the story? 
    Throughout its history America has been torn in two by debates over ideals and beliefs. Randall Fuller takes us back to one of those turning points, in 1860, with the story of the influence of Charles Darwin’s just-published On the Origin of Species on five American intellectuals, including Bronson Alcott, Henry David Thoreau, the child welfare reformer Charles Loring Brace, and the abolitionist Franklin Sanborn.
    Each of these figures seized on the book’s assertion of a common ancestry for all creatures as a powerful argument against slavery, one that helped provide scientific credibility to the cause of abolition. Darwin’s depiction of constant struggle and endless competition described America on the brink of civil war. But some had difficulty aligning the new theory to their religious convictions and their faith in a higher power. Thoreau, perhaps the most profoundly affected all, absorbed Darwin’s views into his mysterious final work on species migration and the interconnectedness of all living things.
    Creating a rich tableau of nineteenth-century American intellectual culture, as well as providing a fascinating biography of perhaps the single most important idea of that time, The Book That Changed America is also an account of issues and concerns still with us today, including racism and the enduring conflict between science and religion.
 --from the publisher's website 
What type of language does it use—technical, complex, standard, or colloquial? primarily standard language with some science and some other technical vocabulary
 
Does the level of language make it easy or difficult for the reader to follow? this book is approaching esoterica. More on this below.
 
Did you like this book? nope
 
If you could change something, what would it be? uhm... I suppose I should just say, if given the choice I would choose not to read it. It was not for me. 
 
What were your favourite parts? I kind of liked the maybe 1/10 of the book that actually involved Charles Darwin or his On the Origin of Species by Means of Natural Selection (1859)
 
Who stands out, among the characters? Bronson Alcott, the father of Louisa May (famed author), who was a particularly weird, sanctimonious, annoying blowhard.
 
What is your recommendation? it's not a book about science. It's biography, religion, antislavery, a bit of sociology, and a hard sell of East coast name-dropping. If you like that sort of thing, then you're welcome to it. 
 
5 adjectives you would use to describe this text: inexplicable, boring, prosey, circuitous, unexpected (in a bad way)
 
[book review template 5 adapted from here; the title quotation is from the book, and ought to give a clue as to the language]

10.02.2025

when you've suffered a great deal in life, each additional pain is both unbearable and trifling

Book Review 
 
Rating * * * * 
 
Title: Life of Pi
 
Author: Man Booker Prize-winning Canadian Yann Martel
 
Published: this novel was published in 2001; I listened to the unabridged audiobook (HighBridge; read by Jeff Woodman and Alexander Marshall; 13 hours) 
 
What is the story? 
    After the sinking of a cargo ship, a solitary lifeboat remains bobbing on the wild blue Pacific. The only survivors from the wreck are a sixteen-year-old boy named Pi, a hyena, a wounded zebra, an orangutan—and a 450-pound Royal Bengal tiger.
    Soon the tiger has dispatched all but Pi Patel, whose fear, knowledge, and cunning allow him to coexist with the tiger, Richard Parker, for 227 days while lost at sea.
    The Japanese authorities who interrogate Pi refuse to believe his story and press him to tell them "the truth." After hours of coercion, Pi tells a second story, a story much less fantastical, much more conventional—but is it more true?
    Life of Pi is at once a realistic, rousing adventure and a meta-tale of survival that explores the redemptive power of storytelling and the transformative nature of fiction. It's a story, as one character puts it, to make you believe in God. --from Amazon.com 
What type of language does it use—technical, complex, standard, or colloquial? standard and some colloquial. 
 
Does the level of language make it easy or difficult for the reader to follow? it is easy to follow, an organic and personal story that really flows (meaning, I often read longer than intended. Just one more chapter!)
 
Did you like this book? I did, but it was odd—this is one of the few times that I liked the movie more than the book. It may have been different if I'd read the book first, though. The picture that I had in my head didn't quite match what's on the page. 
 
If you could change something, what would it be? the occasional mini-lectures on running a zoo, animal behavior, and religion were refreshing and interesting to me. I would have liked more of them. 
 
What was your favourite part? the scene where Richard Parker's name is explained, which came just at the right point in the story to have ample curiosity built up, and anticipation relieved in an unexpected way
 
Who stands out, among the characters? Richard Parker, of course
 
What is your recommendation? this is a beautiful book, evocative and mesmerizing. I recommend it to those interested in animals (especially zoo creatures), Indian culture, sea travel, and loss. There are moments of upsetting content, and they appear unexpectedly; sensitive readers should be forewarned.
 
5 adjectives you would use to describe this text: magical, strange, lush, heartrending, captivating
 
[book review template 5 adapted from here; the title quotation is from the book]

9.18.2025

never had so much intelligence meant so little

Book Review 
 
Rating: * * *
 
 
Author: Tim Weiner
 
Published: Legacy of Ashes, a nonfiction book, was published in 2007; I listened to the unabridged audiobook (Blackstone Publishing; read by Stefan Rudnicki; 22 hours) 
    Enemies, also a nonfiction book, was published in 2012; I listened to the unabridged audiobook (Random House Audio; also read by Rudnicki; 19 hours) 
 
What is the story? 
• Legacy of Ashes: For years, the CIA has managed to maintain a formidable reputation in spite of its terrible record, burying its blunders in top-secret archives. Its mission was to know the world. When it did not succeed, it set out to change the world. Its failures have handed us, in the words of President Eisenhower, “a legacy of ashes.”
    Here is the hidden history of the CIA: why eleven presidents and three generations of CIA officers have been unable to understand the world; why nearly every CIA director has left the agency in worse shape than he found it; and how these failures have profoundly jeopardized our national security. --from publisher's website

• Enemies: We think of the FBI as America’s police force. But secret intelligence is the Bureau’s first and foremost mission. The FBI’s secret intelligence and surveillance techniques have created a tug-of-war between national security and civil liberties, a tension that strains the very fabric of a free republic. Enemies is the story of how presidents have used the FBI to conduct political warfare—and how it has sometimes been turned against them. And it is the story of how the Bureau became the most powerful intelligence service the United States possesses. --from publisher's website
What type of language do they use—technical, complex, standard, or colloquial? standard, with a small amount of more complex terminology specific to the intelligence community
 
Does the level of language make it easy or difficult for the reader to follow? the books read smoothly, more like well-told stories than dry lectures
 
Did you like these books? I liked the way they were written, and certainly the way they were read by the outstanding Rudnicki. I was not so enamored with the smug self-assurance of the author, who clearly believes himself the most perspicacious, smartest guy in the room... every room. In sum: there have been many, many history and political science books I've enjoyed more, but they were each worth reading. 
 
If you could change something, what would it be? less reliance on words and phrases like "clearly" or "of course", more consideration of alternate conclusions.
    For instance, a common theme through both books is that the CIA has, historically, failed in its mission. However, if the books can be believed, that "mission" has been vague, confused, and even contradictory at times. It is and always has been unrealistic to believe that the same organization can be top-notch at two differently-focused tasks: gathering intelligence and performing covert operations. It's inconceivable to me that anyone could ever believe that those two very distinct jobs, which would seem to appeal to and require the skills of very different types of people, could be accomplished well under one roof, at the Agency. Covert operations is an off-the-scale Orange job—a reference to True Colors—while intelligence gathering and analysis is perfectly suited to Gold/Green folks. These contrasts are significant, and when one tries to work that far outside one's comfort zone and skill set, the results are disastrous. For example, my taco salad lunch buddy is the quintessential Gold. If she had a job that required frequent, dramatic changes or a degree of danger, she would break out in hives and be distracted by longings for her spreadsheets, and she would be an excellent intelligence analyst. On the other hand, my animal-brained lawyer is perhaps the most perfectly orange Orange I've ever known. Pen him in behind a desk with the requirement that he study something in detail, and he will start climbing the walls and creating his own drama just to keep his blood up. I wonder if maybe he's not actually a covert operator and I just don't know it yet. Hmm.
    I would have been more impressed, and would have learned more, if the books had addressed this inherent flaw in the Agency's setup. (I refer to both of them because, with their similar government-ish, political-adjacent, slightly skeevy subject matters, the books and the entities that they cover are naturally entwined. That is, in fact, part of the problem....)
 
What were your favourite parts? the political infighting, the intelligence intrigue, the name-dropping and scandals, and the stories of how (every now and then) the Agency and the Bureau got it right
 
Who stands out, among the characters? from the CIA: George H.W. Bush, of whom I had known very little substantive information before reading this book. The term 'character' is apt; I learned far more than expected about his government life before his run to the White House. And from the FBI: J. Edgar Hoover, of course. He was a complete and total lunatic, a power-broker, and probably the cause of a lot of preventable mess in our national history. 
 
What is your recommendation? these are good popular nonfiction books for people who are looking for some history, some drama, and for the author's interpretations and analyses to be presented as fact. Academics, realists, or people who prefer doing their own thinking might find different books on these topics more suitable. 
 
5 adjectives you would use to describe this text: presumptuous, engaging, opinionated, dishy, provocative
 
[book review template 5 adapted from here; the title quotation is from Legacy of Ashes]

8.28.2025

the past has a way of sucking us in and holding us there

Book Review 
 
Rating  * * * *
 
 
Author: Julia London
 
Published: this novel was published in 2025 (!); I listened to the unabridged audiobook (Harper Muse; read by Marni Penning; 12 hours) 
 
What is the story? 
    Lorna Lott has been leaning into the awkward side of things most of her life. Her intensity and drive haven't earned her any friends, but at least her sales team is meeting their quotas. Why should she care that they call her King Kong when her promotion to senior vice president is within reach? Or it was—until she made a mistake that even apology donuts couldn't fix.
    Now she's been mandated to attend a thirty-day wellness program, and everything is on the line. If she can't get her low-key rage thing under control, stop her eyes from leaking, and figure out how to be more likeable, she won't get a promotion or raise. Which means she won't be able to buy back her grandmother's house and reclaim the happiness she hasn't felt since childhood.
    Cooperating with the program means coming to terms with her past. Mainly, how her older sister's substance abuse ruined Lorna's life--and her many regrets about the way she handled things. With the help of her oddly endearing eight-year-old neighbor and his equally charming father, she throws herself into the process of making amends. But as she begins to accept that there is nothing she could have done to change the course of her sister's life, Lorna faces her most challenging task yet: changing the course of her own.
 --from the publisher 
What type of language does it use—technical, complex, standard, or colloquial? standard/colloquial
 
Does the level of language make it easy or difficult for the reader to follow? easy
 
Did you like this book? hmm... sort of? It's almost too well-written, because Lorna's anxiety and aggression are palpable. That makes her easier to understand, but also offensive and hard to like. The first two-thirds of the book was a struggle for me. There are moments of humor and some real beauty, though, and the last part really made up for the discomfort of what had come earlier. That means my answer is Yes, but with caveats.
 
If you could change something, what would it be? I would tone down some of Lorna's rage and rants, especially later in the book, and balance them with a few more moments of clarity or at least self-awareness. I really wanted to like her, and it wasn't until the last segment that I could do that, unreservedly.
    NOTE: There was some bad law that made my jaw clench. Fixing that would not have changed the story whatsoever, so it felt like a flat note in an otherwise pleasant song.
 
What were your favourite parts? floating, the science fair, and talking about knocking out a wall
 
Who stands out, among the characters? oh, that was Bean, for sure! Openhearted, mostly sunny, full of curiosity and enthusiasm and a delightful weirdness, Bean is a complete joy from top to bottom. He makes the book a winner. 
    Agnes/Aggie is right up there, too. 
 
What is your recommendation? recommended for those who will stick it out for the payoff. People dealing with anxiety, addiction, and complicated family in their own lives. Readers who appreciate a comedic novel that's got a dramatic heart.
 
5 adjectives you would use to describe this text: funny, painful, relatable, well-voiced, hopeful
 
[book review template 5 adapted from here; the title quotation is from this book]

8.21.2025

hallowed be thy name, oh Lord—and shotgun, do your stuff

Book Review 
 
Rating: * * * *
 
 
 
Published: this collection of fiction stories was published in 2010; I listened to the unabridged audiobook (Blackstone Audio, Inc.; read by Stefan Rudnicki; 8 hours) 
 
What is the story? 
    Deadwood meets Cthulhu in this wild and profane Western romp featuring zombies, werewolves, evil spirits, and one pissed-off gunslinging preacher.
    The Wild West has never seen the likes of the Reverend Jebidiah Mercer, a hard man wielding a burning Bible in the battle between God and the devil, in an endless struggle he's not sure he cares who wins. With its five stories laced with fast-paced action, nonstop humor, and spine-tingling horror,
Deadman's Road is your ride to hell, in which a vengeful shaman curses a town by conjuring a seemingly unstoppable army of the undead; an ill-advised shortcut leads to a bees' nest of terror; a man stands condemned, not for murdering his wife but for raising the Lovecraftian horror that killed her; a woman is attacked by werewolves and left for dead in a ghost town; and a mining camp faces off with a horde of cannibalistic fiends. --from Blackstone Audio, Inc. 
What type of language does it use—technical, complex, standard, or colloquial? this is one of the most sweary, profane, colloquial, aggressive books I've ever read!
 
Does the level of language make it easy or difficult for the reader to follow? I wouldn't say it's hard to follow, but there are moments where my lack of religious knowledge put me at a disadvantage. 
 
Did you like this book? maybe? That's really hard to say. I picked it up because I've read a couple of this author's other books—Sunset and Sawdust (2003) and Lost Echoes (2005)—and liked them. Those books were gifted to me by a friend whose taste I trust. Those two books are in the Western-ish, historical-ish realm. This one, though, is a cross between Western, horror, romance (?), maybe religious, and science fiction. That's a lot of genre for one collection of linked stories.
    I like the main character, Jebidiah Mercer, who is confident in his role as a aggressive crusader against evil who is also a violent alcoholic and also a highly reluctant "man of God." I liked some of the other characters, a few of whom turned out to be more than what they seemed, and some of whom were surprisingly minor.
    There is something disconcerting about the book, though, despite my interest in the characters. Besides working in genres that are unfamiliar and upsetting by nature, I found it downright scary. I got chills, and had all my little hairs stand up, from a sense that I was reading something that I ought not. 
 
If you could change something, what would it be? there are some repetitions for emphasis, but also some repetitions that seem to have sprouted from the author's ego. (Think, "I like this turn of phrase, so I'm going to use it over and over.")
 
What were your favourite parts? I especially liked the first story, where the reprehensible treatment of a couple causes the torture and killing of those who done them wrong.
    As always, I appreciated and enjoyed Stefan Rudnicki's narration, which was solemn, gleeful, and ominous by turns. 
 
Who stands out, among the characters? Jeb, of course, and the doc, and the fat whore (don't blame me—that's the most apt descriptor)
 
What is your recommendation? oh, my. Well. I would recommend this book to lovers of supernatural horror, violence, and retribution. 
 
5 adjectives you would use to describe this text: profane, lurid, hostile, funny, and (slightly, oddly) sanctimonious
 
[book review template 5 adapted from here; the title quotation is by Joe R. Lansdale]

7.31.2025

no sympathy for the devil; keep that in mind

Book Review 
 
Rating * * * * *
 
 
Author: John Huddy
 
Published: this nonfiction book was published in 2009; I listened to the unabridged audiobook (Blackstone Audio, Inc.; read by Stefan Rudnicki; 13 hours) 
 
What is the story? 
Network producer and onetime Miami Herald columnist Huddy tells a gripping story of greed, violence, theft and public relations. Las Vegas had just launched its new blitz of advertising advancing itself not as "Sin City" but as a family-friendly vacation destination when Jose Vigoa (a Cuban-born commando veteran of the Soviet Army) hit town in the late 1990s. Vigoa and a small crew embarked on a violent 16-month crime wave, targeting some of the Strip's most prominent (and, as Vigoa showed, vulnerable) institutions. A 23-year veteran of the Las Vegas Police Force, Lt. John Alamshaw was charged with finding and capturing the men behind the crime spree without allowing the robberies to become national news and spoil Vegas's new image. Huddy traces Vigoa's personal history from his childhood in Castro's Cuba to fighting for the Red Army in Afghanistan, his return to Cuba and eventual resettlement in the United States. Then he chronicles the Cuban's increasingly audacious grabs for Vegas riches and his ultimate sentencing to more than 500 years in prison with no possibility of parole. This debut is a must for true-crime enthusiasts. --from Publishers Weekly 
What type of language does it use—technical, complex, standard, or colloquial? primarily standard, some technical (a background in criminal justice or law would help, or a strong interest in true crime)
 
Does the level of language make it easy or difficult for the reader to follow? it was written by a journalist, so the language is easy to understand and the story is engrossing
 
Did you like this book? very much! Best book I've read this year.
 
If you could change something, what would it be? Jose Vigoa is portrayed as near a hero as possible. Considering what a reprehensible guy he is, the choice of words, and the ratio of his own words to analysis of actions, can be hard to swallow. 
 
What were your favourite parts? Stefan Rudnicki is my favorite audiobook narrator, and his voice is such a great match to this deeply disturbing, sometimes unbearably tense subject matter. In the end, the good guys are all the more admirable, and the bad even worse, thanks to Rudnicki's terrific narration.
 
Who stands out, among the characters? Lt. Alamshaw of the Robbery Division of the Las Vegas Police Department was—as fleshed out by Huddy—pretty danged cool. Tenacious, smart, dedicated, and even funny, he came off as someone I'd like to work with. 
 
What is your recommendation? great book for lovers of true crime, Las Vegas history and culture, law enforcement, and (surprisingly) modern Cuban history and politics
 
5 adjectives you would use to describe this text: violent, engrossing, bizarre, surprising, extreme
 
[book review template 5 adapted from here; the title quotation is by Hunter S. Thompson, from Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream]

6.12.2025

human life is but a series of footnotes to a vast obscure unfinished masterpiece

Book Review
 
Rating: **** 
 
 
Author: Jason Miller
 
Published: Harper, 2015; I listened to the unabridged audiobook (HarperAudio 2015, 7 hours, narrated by Johnny Heller - one of my favorites!)
 
Main idea:
    A hugely entertaining debut—the first novel in a wickedly funny gothic mystery series set in the withering landscape of the southern Illinois coal country known as “little Egypt”—that blends the wry humor of Kevin Wilson, the dark violence of Urban Waite, and the electric atmosphere of Greg Iles.
In the depths of the Knight Hawk, one of the last working collieries in downstate Illinois, the body of a reporter is found, his mini-recorder tied around his neck and a notepad stuffed in his mouth.
    The Knight Hawk’s owner, Matthew Luster, isn’t happy. He wants answers—and he doesn’t want the cops or any more press poking into his business. To protect himself and the operation, he turns to Slim, a mine employee with a reputation for “bloodhounding”—finding lost souls when the police can’t or won’t. Luster needs Slim to locate a missing photographer named Beckett, a close associate of the victim . . . who just happens to be his son-in-law.
    A hard-working single father barely making ends meet, Slim accepts the job—after Luster offers him a guaranteed pension and job security for life. But when you make a deal with the devil, you’re going to get burned . . . . and now Slim is all too close to the flames. Circumstances have lead him into the grimy underworld of Little Egypt, Illinois—a Babel’s Tower of rednecks, rubes, freaks, tweakers, gun nuts, and aging hippies-and it quickly becomes clear that he’s much more involved in the murder than an innocent man should be.
Down Don’t Bother Me marks the emergence of a wildly assured mystery novelist, and of a series set in the fresh and brutal landscape of southern Illinois.
What are the relationships like between characters?  Slim's relationships are complicated. He has a young daughter from a previous relationship, and a girlfriend at a different commitment stage from his own, and friends from work. He also has some former associates and a whole lot of apparent enemies.
 
Favorite part of the story: I can't point to just one thing, so I believe it was the 'mood' of the book that I enjoyed the most. It is a mystery, so there's tension, but there's also a sort of unsettled quality that pervades the book, and Slim himself. I can relate.
 
What do you think about the way it was written? This book is refreshingly straightforward and unassuming. Though I like an intricate mystery now and then, it is enjoyable to not get pulled into a bunch of blind alleys or slapped with red herrings. 
 
Was the book entertaining, educational, amusing...? Entertaining, for sure. Amusing at times. Clever, unassuming, and definitely redolent of the Flat.
 
If you recommend this book, to whom is it suited? I recommend this book to fans of modern mystery, who will not be frustrated by a very good first entry to a series that (apparently) will remain unfinished. 
 
[review template adapted from here; the title quotation is by Vladimir Nabokov, from Lolita]

6.05.2025

we mostly get along fine, and our division of labor is fair: cook and dishwasher, optimist and pessimist

Book Review
 
Rating: **** 
 
 
 
Published: Harper, 2025; I listened to the unabridged audiobook (HarperAudio 2025, 9 hours)
 
Main idea:
    Taking over her parents’ estate-sale business is not the life’s work that Emma Lewis bargained for. Yes, she grew up helping them empty people’s nests, but nothing prepared her for her biggest and stickiest “get”—the grand, beautiful house of ill repute masquerading as a decidedly beddable B and B. Should Emma turn down potential clients in need of decluttering just because they are shady, escort-y, and proud of it? 
    No. A girl must make a living. 
    Around some hairpin turns, Lipman ingeniously reveals a straight shot to happiness.
What are the relationships like between characters?  Emma has supportive parents and a female friend. Along the way, she launches a close relationship with a former teacher, and also with a former classmate. 
 
Favorite part of the story: I related to Emma as an arguably over-educated and under-ambitious woman, struggling to find her purpose.
 
What do you think about the way it was written? Every word that Elinor Lipman has ever written is well worth reading. I have read all of her novels and essays—most recently, I worked through her entire book list, in order—and I own all but one of them. Her writing is neat, accessible, and consistently produces a good mood. In other words: I love the way it was written!
 
Was the book entertaining, educational, amusing...? Entertaining, for sure, and amusing. There were some laugh-out-loud scenes (if you're the sort of person who can be inspired to laugh out loud while reading, which I am). It is also thoughtful, a book that made me pause periodically to ponder the story's application to my own life. 
 
If you recommend this book, to whom is it suited? I recommend this book, without reservation, to: readers of fiction; people who enjoy "women's fiction" (which, y'know, isn't really a genre any more than "men's fiction" would be, but here we are anyway); lovers of the northeastern U.S.; and, particularly, to readers with familiarity and interest in what I would term 'resale culture', consisting of estate sales, online re-selling, and so forth. 
    I also recommend my (current) favorites of her other books: The Inn at Lake Devine (1998), The View from Penthouse B (2013), and especially The Dearly Departed (2001).
 
[review template adapted from here; the title quotation is by Elinor Lipman, from The View From Penthouse B]

5.22.2025

never wrestle with pigs. You both get dirty and the pig likes it

Book Review 
 
Rating
 
Consent by Jill Ciment
Title: Consent: A Memoir
 
Author: Jill Ciment
 
Published: published in 2024; I listened to the audiobook (Books on Tape; read by Eileen Stevens; 4 hours) 
 
What is the story? 
    In this unflinching account of the ardent love affair between the author and her painting teacher, which began in the 1970s, when she was a teenager and he was married with two children, Ciment not only reflects on how their love ignited (who leaned in first for that kiss?) but interrogates her 1996 memoir on the subject, Half a Life. She asks herself if she told the whole truth back then, and what truth looked like to her in the even longer-ago era of love-bead curtains when she fell in love, when no one asked who was served by the permissibility around a May-December romance. In the light of #metoo, with new understanding about the balance of power between an older man and an underage girl, Ciment re-explores the erotic wild ride and intellectual flowering that shaped an improbable but blissful marriage that lasted for forty-five years, until her husband’s death at ninety-three.
    This riveting book about art, memory, and morality asks many questions along the way: Does a story’s ending excuse its beginning? Does a kiss in one moment mean something else entirely five decades later? Can a love that starts with such an asymmetrical balance of power ever right itself? Suffused with the wisdom that comes with time,
Consent is an author’s brave recasting of her life’s settled narrative, and an urgent read for women of all ages.--from Amazon.com 
What type of language does it use—technical, complex, standard, or colloquial? primarily standard, some technical (a background in art would help)
 
Does the level of language make it easy or difficult for the reader to follow? it reads (listens) like a confession, with occasional forays into art
 
Did you like this book? Not at all.
 
If you could change something, what would it be? a wise person once told me that personal disclosure creates a burden on the person receiving it, and this book is an excellent example. I was recommended this book by an article about unreliable narrators. This concept intrigues me—see, e.g., my adoration of Henry Fool—but has inherent flaws, and (for me) is intolerable in nonfiction. If I'm reading "a true story," why would I seek out one that lies on purpose?
 
What were your favourite parts? it wasn't quite a car-crash, but the combined revulsion and fascination are somewhat akin to that.
 
Did you like the characters? no
 
What is your recommendation? I can't recommend this book. Ciment's claim to fame is that she hooked up with a married 40-something when she was a teen, and later married him. She's not an artist, and he was not a famous one. She's written two memoirs to cash in on that big sin and that man, and in this second one she has the audacity to wonder whether he took advantage of her. Along the way, she also wrings some titillation value from her parents, a brother, a stepdaughter, and a couple of other characters, without fleshing any of them out into knowable people. 
    Ciment is not a bad writer, but neither is she a good one. There are no conclusions here about the main point of the book: whether Arnold was the villain in the piece. However, it's filled with pointless declarations about side issues—'all May/December relationships are [adjective]'; 'every older man looks for [activity] from a younger woman'—and otherwise wishywashy on fact and analysis. She's not a psychologist, she's not an artist, and she's worked her trade on the backs of others (and now a social movement concerning actual victims of sexual violence). Why should we care about this self-absorbed woman?
 
5 adjectives you would use to describe this text: meaningless, arrogant, repetitive, dismissive, frustrating
 
[book review template 5 adapted from here; the title quotation is attributed to George Bernard Shaw]

5.15.2025

who gets up in the gray dawn to call on another man’s wife? It’s a *girl*

Book Review 
 
Rating: * * *
 
The Light that Failed (1891)
Title: The Light that Failed

Author: Rudyard Kipling
 
pub info: originally published 1891; I listened to the audiobook released 2005 by Blackstone Audio Publishing, narrated by a cast; 9 hours
 
Genre: semi-autobiographical novel
 
A brief synopsis: 
Dick Heldar is a war correspondent and artist, well known for the drawings he sends home to London papers from wars in exotic places like Sudan. When he returns to London, he attempts to make a career for himself as a serious artist, and re-encounters his childhood sweetheart, Maisie. Then he learns that a minor problem with his eyes is actually the onset of incurable blindness, the result of a head injury. As his vision fails, the light of everything around him—his life, hopes, and dreams—fades with it. Terrible choices must be made between the love of a woman and the friendship of the men who stood by him at the front.
Analysis and recommendation: from a practical standpoint, this was my first, and probably last, cast-narrated audiobook. The different voices were oddly distracting. When there is just one narrator and I'm not fond of the voice, I can stop for that reason, but with this one I felt like I had to keep going even though there was only one that was very annoying. 
    Dick Heldar is an obtuse, sometimes-unlikable, oblivious narrator. This helps make his progression from start to finish satisfying. I liked the best friend character, Torpenhow, who is the most realistic and admirable of the bunch. The Nilghai (the fat friend, nicknamed after a gigantic antelope) is both irritating and profound, his odd presence absolutely pivotal. Maisie is disagreeable, selfish, and mercenary, my least favorite character by far. 
    Did I like the story? No. Am I glad I read it? Yes. Do I want to read it again? No. Do I want to talk about it at length, with someone else who's read it? For sure. Can I recommend it unreservedly? No. Are there a few people I'd suggest read it? Heck yeah.
 
[the book review format is adapted from here; the title quotation is from The Light that Failed]

5.08.2025

home was a curious thing, like happiness. You never knew you had had it until it was gone

Book Review 
 
Rating * * * *
 
The Big Rock Candy Mountain (1943)
Title: The Big Rock Candy Mountain 
 
Author: Wallace Stegner 
 
Published: originally published in 1943; I listened to the audiobook (Blackstone Audio 2009; read by Mark Bramhall; 26 hours)
 
What is the storyline or plot? 
    Bo Mason, his wife, Elsa, and their two boys live a transient life of poverty and despair. Drifing from town to town and from state to state, the violent, ruthless Bo seeks out his fortune--in the hotel business, on new farmland, and, eventually, in illegal rum-running through the treacherous back roads of the American Northwest. Bo chases after the promise of the American dream through Minnesota, the Dakotas, Saskatchewan, Montana, Utah and Nevada, but ultimately there is no escaping the devastating reach of the Depression and his own ruinous fate. 
    In this affecting narrative, a defining masterpiece by the 'dean of Western writers' (The New York Times), Wallace Stegner portrays more than three decades in the life of the Mason family as they struggle to survive during the lean years of the early twentieth century.--from Amazon.com
What type of language does it use—technical, complex, standard, or colloquial? primarily standard, some colloquial
 
Does the level of language make it easy or difficult for the reader to follow? it is an absorbing story that feels like a conversation with someone telling about their own life, rather than a formal or detached presentation
 
Did you like this novel?  I liked it while I listened, and it's stuck with me since.

If you could change something, what would it be?  there are a handful of what appear to me as needlessly violent or disgusting moments. If I were to use the MPAA system, I would rate this R for violence, which is a little ridiculous given the overall ratio of PG-ness to R-ness. To put it another way, those few scenes could have been expressed in different ways.
 
What were your favourite parts?  Elsa's arrival in Dakota; the fair; and Bruce in Utah and Minnesota
 
Did you like the characters?  I unreservedly liked Elsa's uncle Karl. Apart from him, though, each character was more flawed than not, and some lost their trustworthiness or respect along the way. Liking or admiring them is not necessary to appreciation of this book, which is "about" far more than the individual characters.
 
What is your recommendation?  I recommend this book to readers interested in the time period, in rugged individualism, in realism, and in 'the West' as an ideal of possibility.
 
5 adjectives you would use to describe this text: expansive, intriguing, harsh, stirring, merciless
 
 [book review template 5 adapted from here; the title quotation is by Wallace Stegner, from The Big Rock Candy Mountain ]

7.26.2024

the best books... are those that tell you what you know already

    This is the first of several (six?) posts that springs from an article, essentially listing "the most [x] book I've read." Fair warning, I'm approaching it as Free Association, because analyzing everything I've ever read to find the absolute most... whatever... is going to spin me into indecision.
 
The most memorable book I read: The Brothers K by David James Duncan. (Doubleday Press, 1992.) It's my most-cited favorite, I chose it solely because I liked the cover, I've reread it at least a dozen times, and I've hand-sold (or gifted) it to probably a hundred people since it first came out.This book reached inside me, grabbed hold of my heart, and never let go.
    "This touching, uplifting novel spans decades of loyalty, anger, regret, and love in the lives of the Chance family. A father whose dreams of glory on a baseball field are shattered by a mill accident. A mother who clings obsessively to religion as a ward against the darkest hour of her past. Four brothers who come of age during the seismic upheavals of the sixties and who each choose their own way to deal with what the world has become. By turns uproariously funny and deeply moving, and beautifully written throughout, The Brothers K is one of the finest chronicles of our lives in many years."
    I find something different, some new truth, each time I read it. It still makes me laugh out loud, and also to cry. And I always read more slowly as it goes on, to make the magic last a little longer.

The loneliest book I read:
The Gravedigger by Rob Magnuson Smith. (Uno Press, 2010.) I found it at the library where I worked for many years. It is a beautifully-written, terribly sad novel. I have read it maybe five times, each time more slowly than the last.
    "The gravedigger Henry Bale lives with his ailing dog in the village of Chalk, England. Painfully shy, he is resigned to growing old alone. Then Caroline Ford, an impulsive schoolteacher from Brighton, arrives in Chalk. Caroline awakens Henry to life, and to a fear of death. Their relationship becomes a startling investigation of love, faith, and the search for meaning."
    It is lonely, but also redemptive. Watching Henry learn how to really live is inspiring, funny, and wrenching. If you are open to reading a book that will not tease your emotions but pull them to the surface, whole and raw, then The Gravedigger is a book for you.
 
The most enchanting book I read: The Bachelor's Cat by L.F. Hoffman. (HarperCollins Publishers, 1997.) I bought my copy from a discount-books catalog in the late '90s—Daedalus? Edward R. Hamilton? there were so many—when I had loads of disposable income and a developing thirst to learn and experience everything.
    "The bachelor was an honest man, caught between the demands of a personal life and a career, the pursuit of happiness and the pursuit of meaning. His relationship with a sexy and manipulative girlfriend was halfhearted, his career as an artist led him to create art nobody wanted to buy, and he began to grow cynical. The kitten that entered his life appeared on his doorstep one cold morning. Not an overly sentimental type, the bachelor decided to take in the kitten until her rightful owner could be found. Even a stray, after all, deserved a chance to come in from the cold. Then the bachelor met a woman. She was not his usual type - not half as pretty or a tenth as mean - but she made him laugh. His time with the girlfriend had been hotter, but time spent with this woman was sweeter. As the kitten grew and the bachelor brightened, he found himself increasingly torn between the appeal of these two very different women. Struggling to make a choice between them, he discovered that his cat knew a lot more about love than he did."
    It's about cats, and the difference between solitude and loneliness, and vulnerability. It's beautiful, and it can break a heart.

The most important book I read:
  wow, how can anyone answer this? Ought it to be The Bible, or some "Great American Novel"? The top of everybody's 100-best lists?
    The only person I can answer for, on any of these prompts, is myself. The most important book in my world was Neither Friend Nor Foe: The European Neutrals in World War II by Jerrald M. Packard. (Scribner's Books, 1992.) One of those books that came along at just the right time to be read, it shook me up and blew my mind and challenged me to learn as much as I possibly could about neutrality—all of which led, directly or not, to my M.A. thesis topic, and also to the decision to apply to law school, and therefore to everything I've done since.   
    "Packard's assiduously researched study examines how the governments of Sweden, Switzerland, Spain, Portugal and Ireland reacted to pressures from the Axis to declare themselves either allies or enemies during WW II, and how events forced these nations to accommodate first the Axis powers and then the Allied ones. Packard brings their plight into sharp focus: their neutrality depended more on Hitler's whims than on their own brave declarations. He credits Portugal's premier Antonio Salazar with materially influencing Francisco Franco to keep Spain out of the war. He shows how Sweden avoided German incursion by threatening to destroy the high-grade ore desperately needed to keep the Nazi war machine rolling, and how Switzerland vowed to block the tunnels linking Germany to Italy. Finally, Packard emphasizes that Eire (the 26 southern counties of Ireland) was the only one of the five neutrals to have risked invasion by both the British and the Germans. A professor of history at the University of Portland in Oregon, Packard (Sons of Heaven) writes elegantly and informatively of an important but long-ignored aspect of WW II."
    This book, along with a grad class that I was taking while reading it, launched my curiosity toward neutrality. That eventually led to my choice of thesis topics, and what has become a fascination (and complex relationship) with neutrality and law. Important, indeed.
 
The most daunting book I read: Silence in October by Jens Christian Grøndahl (Houghton Mifflin Harcourt 2001)
    This book, translated from the Danish, caught my eye in a review journal at the library. It was ordered, and I checked it out immediately after cataloging. I probably had it at home for 3 months (thanks to staff no-overdues privileges), pecking away at 2 or 3 pages a day until it finally started to flow. It's a very spare novel, short on dialog and heavy on internal ruminations.
    "After eighteen years of marriage, an art historian wakes up one morning to find his wife standing in the bedroom doorway with her bags packed, leaving him with no explanation. Alone in his Copenhagen apartment, he tries to make sense of his enigmatic marriage and life. Memories of driving a cab, quiet walks in the snow, and intense sojourns in Paris and New York pass through his mind in fleeting images. The more he thinks of his wife, however, the more mysterious she becomes to him. Slowly he realizes that two people can live together for years without ever really knowing each other, and that the most important encounters in one's life are dictated by chance, not design. Exploring with great subtlety the secret, unpredictable connections between men and women, Silence in October is a psychological novel of immense acuity and masterful storytelling."
    Having read it now, three times over, I'm still not certain that I understood it in the manner that the author intended. I did "like it," though, and got something out of it—despite being daunted. 
 
The most resonant book I read:
The Road to Wigan Pier by George Orwell (Victor Gollancz Ltd., 1937)
    This was assigned in my first graduate-level class, History of Modern England, which I took as a sophomore or junior. It was a seminar course, open to only a dozen or so students, and held once weekly for 4 hours. Most weeks, the assignment was to read one whole book, often also writing a paper related to it. It was difficult, required a great deal of focus and dedication, and ultimately humbling. I never forgot this book, too, which informed my view on the working poor for my entire adult life.
    "The first half of this work documents his sociological investigations of the bleak living conditions among the working class in Lancashire and Yorkshire in the industrial north of England before World War II. The second half is a long essay on his middle-class upbringing, and the development of his political conscience, questioning British attitudes towards socialism. Orwell states plainly that he himself is in favour of socialism, but feels it necessary to point out reasons why many people who would benefit from socialism, and should logically support it, are in practice likely to be strong opponents."
 

[based on this post; the title quotation is by George Orwell, from 1984]