12.12.2022

the angel of death, in departing, unlocks the jaws of the bereaved

My Father's Day 
 
begins with my mother pulling him out of bed, 
and if he cries out and she falters, 
he insists, Pull harder. 
But by breakfast he looks like an ordinary 
father—thick wavy hair parted in the middle, 
reading The Pleasantville Press—except 
for the stiff beige brace that clasps his neck. 
 
He's stirring four sugars into his cup. 
On a better day, he might bestow 
a hint of smile, quip, 
I like a little coffee in my sugar. 
But this morning he's silent as he heads down 
the stairs, always reaching up two fingers 
to tap the overhang. Superstition. 
Or just to make sure he still can. 
 
At nine, the drunks are already waiting. 
What's the word? Thunderbird. 
What's the price? Thirty twice. 
He slips half-pints of blackberry brandy 
into slim brown bags, hefts cases of Pabst 
onto the counter. His spine is fused 
into a deep curve, neck locked down, 
so he has to tip back on his heels 
to look you in the face. 
 
Before dinner my father is supposed to sit 
in the closet, his chin in a canvas sling 
hooked up to ropes and pulleys. 
Instead he wolfs down a sandwich 
and rumbles back to the store. 
 
At ten, they collect the change fund 
from the driver, deadbolt the doors. 
Is this yours? he asks me, holding up a schoolbook. 
What he means is, Put it away. 
My mother cooks him oatmeal 
and they watch Jack Paar. 
 
Then he climbs into her twin bed. 
He always had strength for that, 
my mother told me in a crowded aisle 
of the grocery store the day after his funeral. 
 
I'd never even seen them kiss or hold hands. 
But then she spilled everything, 
she couldn't stop talking, as though 
the angel of death, in departing, 
unlocks the jaws of the bereaved. 
 
[Ellen Bass {1947- } 'My Father's Day', from Human Line]

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