7.31.2024

my thought is like the stream

I am a peach tree blossoming in a deep pit. 
Who is there I may turn to and smile? 
You are the moon up in the far sky; 
Passing, you looked down on me an hour; then went on forever. 
 
A sword with the keenest edge, 
Could not cut the stream of water in twain 
So that it would cease to flow. 
My thought is like the stream; and flows and follows you on forever. 
 
[Li Po, 'I am a peach tree' {trans. Shigeyoshi Obata}, from Eat, Drink, and be Merry: Poems about food and drink from Everyman’s Library Pocket Poets]

7.29.2024

learn The Way, then find your own way

Not quite as far out of my realm as the last couple of posts, this one includes one of my top 3 favorite movies ever, and two that are pretty good. Plus one that is, in the word of judgmental in-laws everywhere, "different."

The Umbrellas of Cherbourg {a.k.a. Les Parapluies de Cherbourg} (1964) - "Geneviève (Catherine Deneuve), a beautiful young Frenchwoman who works at a small-town boutique selling umbrellas, falls for dashing mechanic Guy (Nino Castelnuovo). Their brief romance is interrupted when Guy is drafted to serve in the Algerian War. Though pregnant by Guy, Geneviève marries an older businessman, Roland (Marc Michel), and begins to move on with her life. Throughout the musical film, all the characters' dialogue is conveyed through song."
source: I borrowed the DVD from the public library
I watched it because: it's in the Criterion Collection
IMDB: 7.8/10  -  Rotten Tomatoes: Tomatometer: 97% Audience: 87%
my IMDB: 2/10
notable quote: "Stop crying. Look at me. People only die of love in movies."
MPAA rating: NR
directed by: Jacques Demy
my notes: inexplicable, annoying, and cloying. See, again, the bold bit above. A couple hours of singing in French is a couple hours too many.
Academy Award nominee:
• Best Writing, Story and Screenplay, Written Dirtectly for the Screen—Jacques Demy
• Best Music, Original Song, for "I Will Wait for You"—Michel Legrand (music), Jacques Demy (lyrics)
• Best Music, Score—Substantially Original—Legrand, Demy
• Best Music, Scoring of Music, Adaptation or Treatment—Legrand
• Best Foreign Language Film—France
overall: not  recommended

The Honey Pot (1967)
The Honey Pot (1967) - "As an elaborate joke, the wealthy Cecil Fox (Rex Harrison) hires actor William McFly (Cliff Robertson) to play his personal assistant and invites three of his old flames, including Texan socialite Mrs. Lone-Star Crockett Sheridan (Susan Hayward), to visit him. Claiming to be on his deathbed, Fox has motives that remain unclear, and things take a surprising turn when one of the guests is found dead. As Inspector Rizzi (Adolfo Celi) investigates the crime, the plot of the mystery thickens."
source: I borrowed the DVD from my parents' collection
I watched it because: I've only seen one Rex Harrison movie—The Ghost and Mrs. Muir—which is a classic gothic mystery. I wanted to see one of his modern films.
IMDB: 6.7/10  -  Rotten Tomatoes: Tomatometer: 57% Audience: 61%
my IMDB: 5/10
notable quote: "'...honesty is the best policy, right?'
    'Debatable. But, at the moment I would appreciate it.'"
MPAA rating: Approved
directed by: Joseph L. Mankiewicz
my notes: crazy. The whole thing is based on an opera, which makes for some bizarre character interaction and especially behavior when they are alone "on stage." Harrison especially has a disconcerting role, though he gamely vamps his way through it. Cliff Robertson is the real star here, with Maggie Smith in a very unexpected performance.
overall: marginally recommended

Manhunter (1986)
Manhunter (1986) - "FBI criminal profiler Will Graham (William L. Petersen) is called out of early retirement to assist on a serial murder case involving a killer known as the 'Tooth Fairy' (Tom Noonan). Graham enlists the help of imprisoned serial killer—and cannibal—Dr. Hannibal Lecktor (Brian Cox), who is the reason Graham took an early retirement. Soon, Graham and the FBI are entangled in a deadly cat-and-mouse game between the Tooth Fairy, Lecktor and an interfering journalist (Stephen Lang)."
source: I own the DVD
I watched it because: this is one of my favorite movies, both consistently entertaining and seemingly fresh; I see something new in it every time I watch
IMDB: 7.2/10  -  Rotten Tomatoes: Tomatometer: 95% Audience: 77%
my IMDB: 10/10
notable quote: "'I know that I'm not smarter than you.'
    'Then how did you catch me?'
    'You had disadvantages.'
    'What disadvantages?'     
    'You're insane.'"
MPAA rating: R
directed by: Michael Mann
my notes: I love everything about this movie. I've seen it so many times that the dialog is ingrained in my mind. ("The Leeds dog. The Jacobi cat.") The facial expressions. The music. William Petersen is phenomenal, and this performance is a precursor to his Gil Grissom. Tom Noonan (Francis) and Brian Cox (Hannibal) are two marvelous sides of the same fucked up coin. Joan Allen's Reba is a wonderful, freaky weirdo in her own right. The late, terrific Dennis Farina shines as Jack Crawford.
overall: unreservedly recommended

Forbidden Kingdom (2008)
Forbidden Kingdom (2008) - "Jason (Michael Angarano), an American teenager, is a huge fan of Hong Kong cinema and old kung-fu movies. While browsing in a Chinatown pawn shop, he discovers the stick weapon of an ancient Chinese sage and warrior, the Monkey King. The magic relic transports Jason back in time, where he joins a band of legendary martial-artists on a quest to free the imprisoned man."
source: I own the DVD
I watched it because: I was in the mood for Jet Li, and hadn't seen this one for too long
IMDB: 6.5/10  -  Rotten Tomatoes: Tomatometer: 63% Audience: 60%
my IMDB: 7/10
notable quote: "He who speaks does not know. He who knows does not speak. Surely, you are masterful."
MPAA rating: PG-13
directed by: Rob Minkoff
my notes: I really can't go wrong with Jet Li, and the addition of the charming Jackie Chan just makes it all better. The story is a martial arts riff on A Connecticut Yankee in King Arthur's Court, which is either clever or trite depending on one's willing suspension of disbelief. Time travel is all right, and I liked the overlapping characters. It was just what I was looking for.
overall:  recommended
 
[the title quotation is from Forbidden Kingdom]

7.26.2024

the best books... are those that tell you what you know already

    This is the first of several (six?) posts that springs from an article, essentially listing "the most [x] book I've read." Fair warning, I'm approaching it as Free Association, because analyzing everything I've ever read to find the absolute most... whatever... is going to spin me into indecision.
 
The most memorable book I read: The Brothers K by David James Duncan. (Doubleday Press, 1992.) It's my most-cited favorite, I chose it solely because I liked the cover, I've reread it at least a dozen times, and I've hand-sold (or gifted) it to probably a hundred people since it first came out.This book reached inside me, grabbed hold of my heart, and never let go.
    "This touching, uplifting novel spans decades of loyalty, anger, regret, and love in the lives of the Chance family. A father whose dreams of glory on a baseball field are shattered by a mill accident. A mother who clings obsessively to religion as a ward against the darkest hour of her past. Four brothers who come of age during the seismic upheavals of the sixties and who each choose their own way to deal with what the world has become. By turns uproariously funny and deeply moving, and beautifully written throughout, The Brothers K is one of the finest chronicles of our lives in many years."
    I find something different, some new truth, each time I read it. It still makes me laugh out loud, and also to cry. And I always read more slowly as it goes on, to make the magic last a little longer.

The loneliest book I read:
The Gravedigger by Rob Magnuson Smith. (Uno Press, 2010.) I found it at the library where I worked for many years. It is a beautifully-written, terribly sad novel. I have read it maybe five times, each time more slowly than the last.
    "The gravedigger Henry Bale lives with his ailing dog in the village of Chalk, England. Painfully shy, he is resigned to growing old alone. Then Caroline Ford, an impulsive schoolteacher from Brighton, arrives in Chalk. Caroline awakens Henry to life, and to a fear of death. Their relationship becomes a startling investigation of love, faith, and the search for meaning."
    It is lonely, but also redemptive. Watching Henry learn how to really live is inspiring, funny, and wrenching. If you are open to reading a book that will not tease your emotions but pull them to the surface, whole and raw, then The Gravedigger is a book for you.
 
The most enchanting book I read: The Bachelor's Cat by L.F. Hoffman. (HarperCollins Publishers, 1997.) I bought my copy from a discount-books catalog in the late '90s—Daedalus? Edward R. Hamilton? there were so many—when I had loads of disposable income and a developing thirst to learn and experience everything.
    "The bachelor was an honest man, caught between the demands of a personal life and a career, the pursuit of happiness and the pursuit of meaning. His relationship with a sexy and manipulative girlfriend was halfhearted, his career as an artist led him to create art nobody wanted to buy, and he began to grow cynical. The kitten that entered his life appeared on his doorstep one cold morning. Not an overly sentimental type, the bachelor decided to take in the kitten until her rightful owner could be found. Even a stray, after all, deserved a chance to come in from the cold. Then the bachelor met a woman. She was not his usual type - not half as pretty or a tenth as mean - but she made him laugh. His time with the girlfriend had been hotter, but time spent with this woman was sweeter. As the kitten grew and the bachelor brightened, he found himself increasingly torn between the appeal of these two very different women. Struggling to make a choice between them, he discovered that his cat knew a lot more about love than he did."
    It's about cats, and the difference between solitude and loneliness, and vulnerability. It's beautiful, and it can break a heart.

The most important book I read:
  wow, how can anyone answer this? Ought it to be The Bible, or some "Great American Novel"? The top of everybody's 100-best lists?
    The only person I can answer for, on any of these prompts, is myself. The most important book in my world was Neither Friend Nor Foe: The European Neutrals in World War II by Jerrald M. Packard. (Scribner's Books, 1992.) One of those books that came along at just the right time to be read, it shook me up and blew my mind and challenged me to learn as much as I possibly could about neutrality—all of which led, directly or not, to my M.A. thesis topic, and also to the decision to apply to law school, and therefore to everything I've done since.   
    "Packard's assiduously researched study examines how the governments of Sweden, Switzerland, Spain, Portugal and Ireland reacted to pressures from the Axis to declare themselves either allies or enemies during WW II, and how events forced these nations to accommodate first the Axis powers and then the Allied ones. Packard brings their plight into sharp focus: their neutrality depended more on Hitler's whims than on their own brave declarations. He credits Portugal's premier Antonio Salazar with materially influencing Francisco Franco to keep Spain out of the war. He shows how Sweden avoided German incursion by threatening to destroy the high-grade ore desperately needed to keep the Nazi war machine rolling, and how Switzerland vowed to block the tunnels linking Germany to Italy. Finally, Packard emphasizes that Eire (the 26 southern counties of Ireland) was the only one of the five neutrals to have risked invasion by both the British and the Germans. A professor of history at the University of Portland in Oregon, Packard (Sons of Heaven) writes elegantly and informatively of an important but long-ignored aspect of WW II."
    This book, along with a grad class that I was taking while reading it, launched my curiosity toward neutrality. That eventually led to my choice of thesis topics, and what has become a fascination (and complex relationship) with neutrality and law. Important, indeed.
 
The most daunting book I read: Silence in October by Jens Christian Grøndahl (Houghton Mifflin Harcourt 2001)
    This book, translated from the Danish, caught my eye in a review journal at the library. It was ordered, and I checked it out immediately after cataloging. I probably had it at home for 3 months (thanks to staff no-overdues privileges), pecking away at 2 or 3 pages a day until it finally started to flow. It's a very spare novel, short on dialog and heavy on internal ruminations.
    "After eighteen years of marriage, an art historian wakes up one morning to find his wife standing in the bedroom doorway with her bags packed, leaving him with no explanation. Alone in his Copenhagen apartment, he tries to make sense of his enigmatic marriage and life. Memories of driving a cab, quiet walks in the snow, and intense sojourns in Paris and New York pass through his mind in fleeting images. The more he thinks of his wife, however, the more mysterious she becomes to him. Slowly he realizes that two people can live together for years without ever really knowing each other, and that the most important encounters in one's life are dictated by chance, not design. Exploring with great subtlety the secret, unpredictable connections between men and women, Silence in October is a psychological novel of immense acuity and masterful storytelling."
    Having read it now, three times over, I'm still not certain that I understood it in the manner that the author intended. I did "like it," though, and got something out of it—despite being daunted. 
 
The most resonant book I read:
The Road to Wigan Pier by George Orwell (Victor Gollancz Ltd., 1937)
    This was assigned in my first graduate-level class, History of Modern England, which I took as a sophomore or junior. It was a seminar course, open to only a dozen or so students, and held once weekly for 4 hours. Most weeks, the assignment was to read one whole book, often also writing a paper related to it. It was difficult, required a great deal of focus and dedication, and ultimately humbling. I never forgot this book, too, which informed my view on the working poor for my entire adult life.
    "The first half of this work documents his sociological investigations of the bleak living conditions among the working class in Lancashire and Yorkshire in the industrial north of England before World War II. The second half is a long essay on his middle-class upbringing, and the development of his political conscience, questioning British attitudes towards socialism. Orwell states plainly that he himself is in favour of socialism, but feels it necessary to point out reasons why many people who would benefit from socialism, and should logically support it, are in practice likely to be strong opponents."
 

[based on this post; the title quotation is by George Orwell, from 1984]

7.24.2024

so sure

And to realize that all is lost, 
That life—is hell! 
Oh, I was so sure 
That you would return. 
 
February 6, 1911 
Tsarskoye Selo 
 
[Anna Akhmatova {1889-1966} ‘And to realize that all is lost’ from The Complete Poems of Anna Akhmatova]

7.22.2024

I didn't say I was a gentleman. I said I was tired

One big win, an unexpected story that enthralled me!

In a Lonely Place (1950)
In a Lonely Place (1950) - "Hollywood screenwriter Dixon Steele (Humphrey Bogart) and his neighbor Laurel (Gloria Grahame) are just getting to know each other romantically when the police begin questioning Dixon about his involvement in the murder of a girl he met once. Certain her new love interest is innocent, Laurel stands by Dixon, but as the police continue pressing him, Dixon begins to act increasingly erratically. The blossoming love affair suffers as Laurel begins to wonder if Dixon really might be a killer."
source: I borrowed the DVD from the public library
I watched it because: Bogart is fascinating
IMDB: 7.9/10  -  Rotten Tomatoes: Tomatometer: 96% Audience: 89%
my IMDB: 5/10
notable quote: "'I love the love scene; it's very good.'
    'Well that's because they're not always telling each other how much in love they are. A good love scene should be about something else besides love. For instance, this one. Me fixing grapefruit. You sitting over there, dopey, half-asleep. Anyone looking at us could tell we're in love.'"
MPAA rating: Approved
directed by: Nicholas Ray
my notes: I didn't love it. Dixon Steele (Bogart) is an asshole of the type that gets straight under my skin. (See also: Nick.) Gloria Grahame, playing Laurel Gray, is a terrific actress but can't save this depressing, angry, brittle film. However, I have to admit that it's worth seeing if you want some Bogey in a (?) different form.
overall: mildly recommended

L'avventura (1960)
L'avventura (1960) - "In Michelangelo Antonioni's classic of Italian cinema, two lovely young women, Claudia (Monica Vitti) and Anna (Léa Massari), join the latter's lover, Sandro (Gabriele Ferzetti), on a boat trip to a remote volcanic island. When Anna goes missing, an extensive search is launched. In the meantime, Sandro and Claudia become involved in a romance despite Anna's disappearance, though the relationship suffers from the guilt and tension brought about by the looming mystery."
source: I borrowed the DVD from the public library
I watched it because: ...Criterion Collection
IMDB: 7.7/10  -  Rotten Tomatoes: Tomatometer: 94% Audience: 88%
my IMDB: 7/10
notable quote: "Why should we be here talking, arguing? Believe me, words are more and more pointless. They create misunderstandings."
MPAA rating: NR
directed by: Michaelangelo Antonioni
my notes: strange, trippy movie. It may be a mystery, or romance, or a travelog of Italy. The cinematography is gorgeous, the acting is hit or miss, the leading man is an asshole, the leading lady is in question and regardless is not a great actress. Still, there's something about it that kept my attention throughout.
overall:  recommended

The Other Side of Hope (2017)
The Other Side of Hope (2017) {a.k.a. Toivon tuolla puolen} - "Syrian refugee Khaled stows away on a freighter to Helsinki. Meanwhile, traveling salesman Wikström wins big at a poker table and buys himself a restaurant with the proceeds. When the authorities turn down his application for asylum, Khaled is forced underground and Wikström finds him sleeping in the yard behind his restaurant. He offers him a job and a roof over his head and, for a while, they form a Utopian union with the restaurant's waitress, the chef, and his dog."
source: I borrowed the DVD from the public library
I watched it because: it was in the Criterion Collection library search
IMDB: 7.2/10  -  Rotten Tomatoes: Tomatometer: 92% Audience: 75%
my IMDB: 9/10
notable quote: "Lunch will be served at 11:00. Today's special is fish balls à la maison."
MPAA rating: NR
directed by: Aki Kaurismäki
my notes: even with the language barrier (which is significant, since this script involves Finnish, English, Arabic, Swedish, that I could recognize. There may be more.), this movie is deeply funny, enormously touching, and surprisingly tense. I loved it, and would happily watch it again tomorrow.
    Sherwan Haji (Khaled), Sakari Kuosmanen (Waldemar Wikström), and Simon Hussein Al-Bazoon (Mazdak) were especially outstanding.
overall:  very highly recommended

Moonlight and Valentino (1995) - "A woman in her 30s loses her husband but gains a closer kinship with a group of friends and family. Rebecca Trager Lott (Elizabeth Perkins) is a professor whose husband has died in a traffic accident. She finds it difficult to put her life back on track, and the personality quirks displayed by her companions (Whoopi Goldberg, Gwyneth Paltrow, Kathleen Turner) tend to complicate matters. But the distraction provided by a handsome house painter (Jon Bon Jovi) is just what the women need."
source: I borrowed the DVD
I watched it because: I like Elizabeth Perkins
IMDB: 5.7/10  -  Rotten Tomatoes: Tomatometer: 13% Audience: 51%
my IMDB: 2/10
notable quote: "It is a note from Paul. He did leave you—he's gone to the gym to play racquetball."
MPAA rating: R
directed by: David Anspaugh
my notes: terrible movie. It doesn't make any sense, the 'Valentino' part is useless to the plot, and at least 2 of the main characters are unlikable. Yuck.
overall: not  recommended
 
[the title quotation is from In a Lonely Place]

7.15.2024

I thought you hated the theater. / I do. I also hate the sight of blood, but it's in my veins

Spoiler Alert! Don't read Rebecca if you don't want spoilage.

Guillermo del Toro's Pinocchio (2022)
Guillermo del Toro's Pinocchio (2022) - "Academy Award-winning director Guillermo del Toro and award-winning, stop-motion legend Mark Gustafson reimagine the classic Carlo Collodi tale of the fabled wooden boy with a whimsical tour de force that finds Pinocchio on an enchanted adventure that transcends worlds and reveals the life-giving power of love."
source: I borrowed the DVD from the public library
I watched it because: I was in Criterion Collection mode
IMDB: 7.6/10  -  Rotten Tomatoes: Tomatometer: 96% Audience: 90%
my IMDB: 6/10
notable quote: "I'm not a governess, madam. I'm a novelist, a raconteur! Currently immersed in writing my memoirs."
MPAA rating: PG
directed by: Guillermo del Toro, Mark Gustafson
my notes: it's well done and particularly well voiced, but nothing can change weird creepiness of the basic story. Obsessed with death, obnoxious, and also strangely political. I did not love it.
Academy Award winner: Best Animated Feature Film—Guillermo del Toro, Mark Gustafson, Gary Ungar, Alexander Bulkley
overall: marginally recommended

Limelight (1952)
Limelight (1952) - "Depressed over her failed dance career, Terry (Claire Bloom) attempts suicide, only to be rescued by Calvero (Charles Chaplin), an impoverished, once-famous stage clown. Calvero revives Terry's health and prospects, and in the process recovers his own self-esteem as well. When Terry proposes marriage, Calvero thinks their age difference is too great, and leaves to become a street clown so that Terry's friendship with a promising young composer (Sydney Chaplin) can instead blossom."
source: I borrowed the DVD from the public library
I watched it because: Criterion Collection...
IMDB: 8.0/10  -  Rotten Tomatoes: Tomatometer: 90% Audience: 90%
my IMDB: 7/10
MPAA rating: G
notable quote: "What do you want meaning for? Life is a desire, not a meaning. Desire is the theme of all life! It makes a rose want to be a rose and want to grow like that. And a rock want to contain itself and remain like that."
directed by: Charles Chaplin
my notes: Wow! Sad and bleak, funny and enlightening, romantic and devastating. I liked it, but will not need to see it again.
Academy Award winner: Best Music, Original Dramatic Score—Charles Chaplin, Ray Rasch, Larry Russell [The film was not released in Los Angeles until 1972. Under the Academy rules at the time, this permitted it to be eligible despite being 20 years old. The nominations and wins for Rasch and Russell were posthumous.]
overall: recommended

Rebecca (1940)
Rebecca (1940) - "Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter (Laurence Olivier). She must also deal with the jealous, obsessed Mrs. Danvers (Judith Anderson), the housekeeper, who will not accept her as the mistress of the house."
source: I borrowed the DVD from the public library
I watched it because: Criterion Collection...
IMDB: 8.1/10  -  Rotten Tomatoes: Tomatometer: 98% Audience: 92%
my IMDB: 7/10
AFI: 100 Years…100 Thrills (2001) #80
    100 Years … 100 Heroes and Villains (2003) Villain #31 (Mrs. Danvers)
MPAA rating: Approved [TV-PG]
notable quote: "We none of us want to live in the past, Maxim least of all. It's up to you, you know, to lead us away from it."
directed by: Alfred Hitchcock
my notes: oof. The good parts: Olivier in swashbuckling good looks and swagger as Max de Winter. Glorious cinematography and lighting. Debonair Reginald Denny as Maxim's man of business, Frank Crawley. Deliciously creepy George Sanders as the vile Jack Favell.
    The bad parts: Fontaine, weepy and unsure as the depressingly weepy and unsure Second Mrs. de Winter, fading into the woodwork. A flabby 130 minute film that would have been bright & tense at 110.
Academy Award winner:
• Best Picture—David O. Selznick
• Best Cinematography, Black and White—Lyle R. Wheeler
Academy Award nominee:
• Best Actor—Olivier
• Best Actress—Fontaine
• Best Supporting Actress—Judith Anderson
• Best Director—Hitchcock
• Best Writing, Screenplay—Robert E. Sherwood, Joan Harrison
• Best Art Direction, Black and White—Wheeler
• Best Film Editing—Hal C. Kern
• Best Effects, Special Effects—Jack Cosgrove (photographic); Arthur Johns (sound)
• Best Music, Original Score—Franz Waxman
overall: recommended

News of the World (2020) - "Five years after the end of the Civil War, Capt. Jefferson Kyle Kidd crosses paths with a 10-year-old girl taken by the Kiowa people. Forced to return to her aunt and uncle, Kidd agrees to escort the child across the harsh and unforgiving plains of Texas. However, the long journey soon turns into a fight for survival as the traveling companions encounter danger at every turn -- both human and natural."
source: I borrowed the DVD from my parents' collection
I watched it because: my dad put it in my hands and asked for a review before they watch it
IMDB: 6.8/10  -  Rotten Tomatoes: Tomatometer: 88% Audience: 89%
my IMDB: 7/10
notable quote: "You belong with me. You belong with me."
MPAA rating: PG-13
directed by: Paul Greengrass
my notes: I liked it more than I'd expected. Tom Hanks is always solid, and this script is worthy of him. The kid is banked fire and fury. The story is compelling and active. Cinematography is wonderful.
Academy Award nominee:
• Best Sound—Oliver Tarney, Mike Prestwood Smith, William Miller, John Pritchett
• Best Production Design—David Crank (production design), Elizabeth Keenan (set decoration)
• Best Music, Original Score—James Newton Howard
• Best Cinematography—Dariusz Wolski
overall:  recommended
 
[the title quotation is from Limelight]

7.13.2024

you’ll never know

I look at pictures of you because I am afraid that you would notice me staring in real life. I looked at your picture today for countless minutes. It is closer than I’ll ever get to you for real. I felt like I was looking at a captured animal at a safe distance. If you knew I was doing this, you would feel sickened and frightened. That’s why you’ll never know. Years will go by and you’ll never know. I will never say the things that I want to say to you. I know the damage it would do. I love you more than I hate my loneliness and pain.
 

7.10.2024

talking about music is like singing about economics

1 Which would you rather have: a partner stripping very seductively and very slowly while you watched, or coming home to find that partner already naked on the bed waiting for you?    
    the former, for sure. Sexual relationships are best when they are interactive. The journey is prehaps more important—and fascinating—than the destination, right?
2 What movie do you think makes most people incredibly horny?
    the hottest mainstream movie I've ever seen is The Big Easy, which is not a terribly good film but contains a couple of sultry scenes that are incredibly sexy without toppling headlong into softcore. If Dennis Quaid and Ellen Barkin were not actually making love on film, they gave an Oscar-worthy portrayal of it, from start to finish. No pun, or exaggeration, intended.
3 What are the top three erogenous zones on the body?
    brain, eyes, and ears (both physically and auditory). For a stickler who would argue that those 3 overlap—remove 'brain' and substitute 'neck'.
4 Handcuffs: Yay! or Nay? 
    nay. Being unable to move, especially my hands, makes me panic.
    Also, I was involved with a cop for a time, and despite (several) offers, I was never even tempted.
5 Have you ever had a sexual cue to communicate with a partner in public and absolutely want to go home? 
    not exactly? Though my (and others'? maybe?) good relationships tend to involve secret language, where a look across a crowded room says volumes, or a seemingly superficial remark has meaning well beyond its appearance. In any case, I've never needed to designate a specific code for this purpose.
6 Is it possible to describe an orgasm? 
     I'm sure it's possible in a scientific way, though I'm leery of trying to verify that. There's something anti-sexual, anti-emotional, anti-lovely, in applying a technical analysis to it. Science is all well and good, but there are lots of experiences better left to art or poetry. It brings to mind a maxim, often misattributed to Elvis Costello, which I've used as the title quotation.
7 What would be the perfect sexual experience? 
     this question made me laugh out loud. Some things really are too personal!
 

7.08.2024

I always worried something would go wrong, but the things that went wrong were never what I worried about.

A left turn from the previous movie route....

The Worst Person in the World (2021)
The Worst Person in the World (2021) [a.k.a. Verdens verste menneske] - "The Worst Person in the World is a modern dramedy about the quest for love and meaning in contemporary Oslo. It chronicles four years in the life of Julie (Renate Reinsve), a young woman who navigates the troubled waters of her love life and struggles to find her career path, leading her to take a realistic look at who she really is."
source: I borrowed the DVD from the public library
I watched it because: I was in the mood for some different, quirky, upsetting movies, and was caught by the description of this film
IMDB: 7.7/10  -  Rotten Tomatoes: Tomatometer: 96% Audience: 87%
my IMDB: 8/10
notable quote: "...now it's all I have left: knowledge and memories of stupid, futile things nobody cares about."
MPAA rating: R
directed by: Joachim Trier
my notes: self-absorbed, destructive, aimless girl grows up, traumatically and beautifully. Aksel (Anders Danielsen Lee) and Eivind (Herbert Nordrum) are both her victims and two halves of her ideal. It's a wonderful, sad, intellectual, surreal, funny, scandalous movie - with surprisingly frequent use of the word "butthole."
Academy Award nominee:
• Best Original Screenplay—Eskil Vogt, Joachim Trier
• Best International Feature Film—Norway
overall: strongly recommended

Safety Last! (1923)
Safety Last! (1923) - "A boy (Harold Lloyd) moves to New York City to make enough money to support his loving girlfriend (Mildred Davis), but soon discovers that making it in the big city is harder than it looks. When he hears that a store manager will pay $1,000 to anyone who can draw people to his store, he convinces his friend, the 'human fly,' (Bill Strother) to climb the building and split the profit with him. But when his pal gets in trouble with the law, he must complete the crazy stunt on his own."
source: I borrowed the DVD from the public library
I watched it because: it's in the Criterion Collection, which usually means I'll like it, and it was made more than 100 years ago!
IMDB: 8.1/10  -  Rotten Tomatoes: Tomatometer: 97% Audience: 93%
my IMDB: 9/10
AFI: 100 Years…100 Thrills (2001) #97
notable quote: "I don't wish to be annoyed by any more of your petty complaints about personal appearance.... You know, you're no collar ad, yourself." [via intertitle]
MPAA rating: NR
directed by: Fred C. Newmeyer, Sam Taylor
my notes: nauseatingly realistic, this film is really something for someone with vertigo! Howard Lloyd is a brilliantly expressive physical comedian. It's so good!
overall: enthusiastically recommended

Young Frankenstein (1974)
Young Frankenstein (1974) - "Respected medical lecturer Dr. Frederick Frankenstein (Gene Wilder) learns that he has inherited his infamous grandfather's estate in Transylvania. Arriving at the castle, Dr. Frankenstein soon begins to recreate his grandfather's experiments with the help of servants Igor (Marty Feldman), Inga (Teri Garr) and the fearsome Frau Blücher (Cloris Leachman). After he creates his own monster (Peter Boyle), new complications ensue with the arrival of the doctor's fiancée, Elizabeth (Madeline Kahn)."
source: I own the DVD
I watched it because: gourmet meals are all well and good, but sometimes I want to indulge in treats & sweets
IMDB: 8.0/10  -  Rotten Tomatoes: Tomatometer: 95% Audience: 92%
my IMDB: 10/10
AFI: 100 Years…100 Laughs (2000) #13
MPAA rating: PG
notable quote: "'You must be Igor.' [He pronounces it ee-gor]
    'No, it's pronounced "eye-gor."'
    'But they told me it was "ee-gor."'
    'Well, they were wrong then, weren't they?'"
directed by: Mel Brooks
my notes: terrifically, brilliantly silly, smart, racy, daring, and fun. This time around, I was most charmed by Feldman's all-out performance as Igor. This is one of my favorite movies, ever.
Academy Award nominee:
• Best Writing, Screenplay Adapted from Other Material—Gene Wilder, Mel Brooks
• Best Sound—Richard Portman, Gene S. Cantamessa
overall: most highly recommended

Stalker (1979)
Stalker (1979) [a.k.a. Сталкер] - "In an unnamed country at an unspecified time, there is a fiercely protected post-apocalyptic wasteland known as The Zone. An illegal guide (Aleksandr Kajdanovsky), whose mutant child suggests unspeakable horrors within The Zone, leads a writer (Anatoliy Solonitsyn) and a scientist (Nikolay Grinko) into the heart of the devastation in search of a mythical place known only as The Room. Anyone who enters The Room will supposedly have any of his earthly desires immediately fulfilled. "
source: I borrowed the DVD from the public library
I watched it because: I was in the mood for some different, quirky, upsetting movies, and was caught by the description of this film
IMDB: 8.1/10  -  Rotten Tomatoes: Tomatometer: 100% Audience: 92%
my IMDB: 7/10
notable quote: "What I said about going there, it's all a lie. I don't give a damn about inspiration. But how can I put a name to... what it is that I want? How am I to know I don't want what I want, or that I really don't want what I don't want? These are intangibles where the moment you name them, their meaning evaporates like jellyfish in the sun."
MPAA rating: NR
directed by: Andrei Tarkovsky
my notes: OMFG this is a long movie (162 minutes), with endless long shots. Many of them are absolutely necessary to the film. Some should have been left behind. The cinematography is extraordinary, which makes up for a lot.
    I don't understand most of what they were going for, I'm sure, but I liked it. Well, "like" is not the right word. I was drawn into it, and the mood has lingered in me ever since. (I also had an incredibly strange coincidence of discussing it with a colleague - who, by chance, currently plays a video game based on this movie.)
overall:  recommended
 
[the title quotation is from The Worst Person in the World]

7.03.2024

the truth of the story lies in the details

1 If your friends and acquaintances were willing to honestly tell you what they thought of you, would you want them to? What do you think they might say?
 
     some friends, maybe. Definitely not all of them, and not the acquaintances either. What would they say? That would depend how I know them, and for how long. 
    There are a couple of people from whom I'd be curious to hear about this, though only if it's positive. Funny, isn't it? I want the compliments, but not the criticism - from my friends, anyway. I don't want to ask questions whose answers I can't stand hearing because the fear is greater than the curiosity. 
    Maybe that's what being an adult really is.
2 While walking, you come upon a lost wallet containing $1,000. Would you return it if there were a name and address inside? Would you act differently if the person's photo ID showed a wealthy-looking young man or a frail-looking old woman?
      yes, I would return it, though the method of doing so might change depending on the owner. For instance, if it's a young person (and by "young" I mean anyone born after me!) I might turn it in at the police station rather than by trying to contact them directly. Someone older than me might get a direct call. Either way, I would return it all - because I can imagine my own incredulity and gratitude if I lost something and it was returned to me, unscathed.
3 If you could put a near-perfect lie detector on your phone to flag any dishonesties, would you? If so, would you use it a lot or just for very specific conversations?
      sure, I would pay that subscription fee. Assuming it wouldn't squawk when I'm the one lying ("that sounds awesome! Lunch, it is!"). I probably wouldn't use it all the time, but would bring it out for some conversations where I have a lot riding on the veracity.
4 If you came upon the scene of a terrible highway accident just after the ambulances arrived, and your presence would neither help nor hinder anyone, would you stop to watch?
      God, no. I would find that both unbearably sad and truly, vehemently revolting. I don't even want to think about it, much less to experience it.
5 Would you accept $20,000 to shave your head and continue your normal activities without a hat or wig until your hair grew back? What is the minimum price you'd take for this?
      yup, $20,000 would do nicely. When do I start?
6 Do you think that high-tech goggles that let you "see through" people's clothing should be banned? How much would you pay for glasses that rendered people naked?
      I'm pretty sure that's not "high tech," but "science fiction." Yes, in the imaginary world where such a thing exists, I think they should be banned. The "need" for such a thing is strongly outweighed by the victims' right to privacy.
7 If you could work half as much as you do now and keep the same pay, or work just as hard as you do now and get twice the pay, which would you choose?
      I would alternate, I think. When I'm low on cash, work the same as I do now for twice as much pay. In between, though, I'd happily cut it in half. Maybe a ratio of 3 short weeks/1 long week.
8 Would you want to record everything you hear or see 24 hours a day, 7 days a week, year in, year out? If you could easily find and replay any previous conversation or interaction, how would it affect your relationships?
recording device
     I am known to be the type of person who recalls details. Honestly, it's far more of a curse than a benefit, since the attitude about it is that I'm doing it intentionally and with the aim to hurt, rather than that it's just the way my mind was built. 
    In a way, that makes me wish I could record everything—so it's not just my word being law as far as something happening or not, before. There's a advertising campaign lately, about people being able to throw a challenge flag in a dispute about something like this. The reason that's funny is that it would be both satisfying and horrid, which would not end well in most relationships. No thank you.
9 What experiences from your own childhood have proved most valuable? What were the most difficult to overcome?
    Valuable: 
        • "high potential" summer school, 3 years. I learned about computers, math (!), TV production, art. I also made some friends who thought and acted somewhat like I did, with whom I still have things in common and a friendly connection.
        • ample opportunities and encouragement to read
        • growing up in the country
    Difficult:  
        • inconsistent affection, toward me and between others in my family
10 If you had a choice between two virtually equivalent medicines, one a chemical carefully synthesized in the laboratory, and the other an extract carefully harvested from a medicinal plant, which would you prefer and why?
      my first inclination is to prefer the former, since "carefully harvested" is not quite as trustworthy as "synthesized in a laboratory"—to me.
 
 [from The Book of Questions; the title quotation is by Paul Auster, from The Brooklyn Follies]

7.01.2024

it's discouraging to think how many people are shocked by honesty and how few by deceit

1 If you won a lottery, what is the first thing you would do? 
    pay bills.
    Oh, the first fun thing? Buy a LOT of shoes! (Joan Oloff, Børn, Steve Madden, etc.)
2 If you had to cancel one month of the year forevermore, so that period of time no longer existed, which month would go? 
    November. I cannot recall the last time November has not sucked. Weather-wise there would be some much better options—I'm looking at you, February!—but November still gets voted off the island.
3 If you could change the ending to one movie you have seen, which one would it be, and how would you reshoot it? 
     The ending of Rumor has it..., the Jennifer Aniston/Kevin Costner film from 2005 (reviewed here), made me sad. It felt, to me, like the right one got away. How would I reshoot it? The Ruffalo character would get the heave-ho, while Aniston and Costner strolled into the sunset together.
4 If you could eliminate any one type of insect permanently from the earth, what would you get rid of? 
     oh God, any and all beetles, especially those bigger than the end of my thumb but really anything with a hard shell. SO gross. Revolting. yuck!
5 If you could practice only one of the principle vices henceforth, which one would you stick with? 
     for what it's worth, I had to look up a list of vices from which to choose. Those from which I suffer (?) are italicized; the one I'm sticking with is red bold.
Arrogance 
Avarice 
Bigotry 
Callousness 
Contempt 
Cruelty 
Cynicism 
Deceit 
Despair 
Dishonesty 

Disloyalty 
Distrust 
Egotism 
Envy 
Fanaticism 
Gluttony 
Gossip 
Greed 
Hypocrisy 
Ignorance 
Impatience 
Indulgence 
Ingratitude 
Insensitivity 
Irresponsibility 
Jealousy 
Lust 
Malice 
Manipulation 
Narcissism 
Negligence 
Obsession 
Overconfidence 
Pessimism 
Prejudice 
Pride 
Procrastination 
Recklessness 
Rudeness 
Selfishness 
Sloth 
Spite 
Stubbornness 
Superficiality 
Unfaithfulness 
Vanity 
Vindictiveness 
Waste 
Wrath 
Xenophobia
6 If you could eliminate one hereditary characteristic from your family, what would it be? 
    selflessness
7 If you could physically strike one person from your past (that you didn't), who would you hit, and
where? 
     that's an easy one: it's a tie between Brian-from-Madtown and Mark. Each of them earned knuckles in the eye (or nuts), for sure
8 If a photograph of one part of your body were to be used in an advertisement, which part would you want to be used, and for what product or service?  
    my feet, for toenail polish or fuzzy slippers or strappy sandals
9 If you could change one thing about your city or town or neighborhood, what would you alter? 
    we really need a safe, free bad-weather walking spot. The "mall" used to be accessible for this purpose, but it was recently sold to a consolidated alternative school. The elite snorted that if we need such a thing, we should just join the YMCA. Uhm, yeah - if that was feasible, wouldn't we have done it before walking the 1/4 mile "path" of mall?! Obnoxious, thoughtless, and short sighted.
10 If you had to spend one weekend alone in a single public building or institution, which building would you choose? 
    A big public library or museum. I have been dreaming of that since I first read From the Mixed-Up Files of Mrs. Basil E. Frankweiler!
 
[from If...Questions for the Game of Life; the title quotation is by Nöel Coward, from Blithe Spirit]

it is a relief to find someone who actually says what they're feeling and what they're thinking

Four movies in one day. It's been ages since I've tried such a feat. I'm happy to say that each of these got at least one thumb up!

Get the Gringo (2012)
Get the Gringo (2012) - "On his way the dusty Mexican border with a loot of over $2 million hidden in the boot of his car, a getaway driver ends up in the infamous 'El Pueblito' prison. As the only American inmate in the dangerous village of convicts, the driver quickly gets the nickname 'The Gringo', and finds out firsthand how rough it is to be a stranger in a world of criminals. To stay alive in this pit where everyone knows about the grand prize, the Gringo will have to form a reluctant pact with an unlikely ally: a streetwise ten-year-old kid with a peculiar immunity in this mad place. Now, with a huge target on his head and knowing that his time is short, will the Gringo manage to save himself, and get the money?"
source: streamed on DISH
I watched it because: it was a designated "movie marathon day" and it was the first mutually agreeable option
IMDB: 6.9/10  -  Rotten Tomatoes: Tomatometer: 81% Audience: 68%
my IMDB: 8/10
notable quote: "Put it back."
MPAA rating: R
directed by: Adrian Grünberg
my notes: action-packed, funny, unexpectedly tender, occasionally gory, and well worth seeing. I liked the Gringo's relationship with the kid.
overall: highly recommended

Last Chance Harvey (2008)
Last Chance Harvey (2008) - "In London for his daughter's wedding, a struggling jingle-writer, Harvey Shine (Dustin Hoffman), misses his plane to New York, and thus loses his job. While drowning his sorrows in the airport pub, Harvey meets Kate (Emma Thompson), a British government worker stuck in an endless cycle of work, phone calls from her mother, and blind dates. A connection forms between the unhappy pair, who soon find themselves falling in love."
source: streamed on DISH
I watched it because: it was a designated "movie marathon day" and it was the second mutually agreeable option - which was intended to be a comedy, since Gringo was all action
IMDB: 6.6/10  -  Rotten Tomatoes: Tomatometer: 71% Audience: 53%
my IMDB: 6/10
notable quote: "I'm not gonna do it, because it'll hurt! Sometime or other there'll be, you know 'It's not working,' or 'I need my space,' or whatever it is, and it will end and it will hurt, and I won't do it."
MPAA rating: PG-13
directed by: Joel Hopkins
my notes: For sure not a comedy in the traditional sense. It gets there, eventually, but there's a swampy pit of alligators beforehand. Hoffman's Harvey is an awkward, self-conscious man. Thompson's Kate is deeply sad, covered up with an obviously false cheer. Their progression toward each other seems organic and makes sense—unlike the completely bizarre digressions into Kate's mother's Polish neighbor (which goes nowhere), as well as 95% of Harvey's phone calls (which all accomplish what one, more incisive one could have). Still, Harvey's longer speech is a lovely moment of class and humility.
overall:  recommended with reservations

Before the Devil Knows You're Dead (2007)
Before the Devil Knows You're Dead (2007) - "Andy (Philip Seymour Hoffman), a debt-ridden broker, needs some quick cash. He ropes his younger brother, Hank (Ethan Hawke), into a scheme to commit the perfect crime: to rob their parents' (Albert Finney, Rosemary Harris) jewelry store. The scheme goes horribly awry, and the family patriarch takes justice into his own hands, unaware that the criminals he is hunting are his own sons."
source: streamed on DISH
I watched it because: it was a designated "movie marathon day" and it was the third mutually agreeable option - which was intended to be action, since Harvey was a romantic comedy
IMDB: 7.3/10  -  Rotten Tomatoes: Tomatometer: 89% Audience: 72%
my IMDB: 7/10
notable quote: "The thing about real estate accounting is that you can, you can, add down the page or across the page and everything works out. Everyday, everything adds up. The, the total is always the sum of its parts. It's, uh, clean. It's clear. Neat, absolute. But my life, it, uh, it doesn't add up. It, uh... Nothing connects to anything else. It's, uh... I'm not, I'm not the sum of my parts. All my parts don't add up to one... to one me, I guess."
MPAA rating: R
directed by: Sidney Lumet
my notes: this is a hard, devastating movie, populated with selfish, thoughtless people making awful choices. That's not a bad thing, of course. Some (maybe most?) of the most brilliant cinema involves drama like you and I have never experienced. Hoffman was terrifically brave in the role of Andy, aggressive and pathetic at once. Hawke - a favorite of mine - fleshes Hank with vulnerability and recklessness, though not much else. It's hard to imagine that Marisa Tomei's Gina would have flipped for him. I think the best of the bunch was Finney as Charles, the dad. His progression through grief and anger brought to mind Thoreau's statement (in Civil Disobedience): "The mass of men lead lives of quiet desperation."
overall:  recommended

Dead for a Dollar (2022)
Dead for a Dollar (2022) - "Veteran bounty hunter Max Borlund and Sergeant Alonzo Poe are deep into Mexico, where Borlund encounters professional gambler and outlaw Joe Cribbens - a sworn enemy he sent to prison years before. Borlund and Poe are on a mission to find and return Rachel Kidd, the wife of a wealthy businessman, who as the story is told to Max, has been abducted by Buffalo Soldier Elijah Jones. Max is ultimately faced with a showdown to save honor."
source: streamed on DISH
I watched it because: it was a designated "movie marathon day" and it was the fourth mutually agreeable option
IMDB: 5.4/10  -  Rotten Tomatoes: Tomatometer: 53% Audience: 35%
my IMDB: 6/10
MPAA rating: R
directed by: Walter Hill
my notes: I didn't love it. The sepia tone felt overdone. The relationships between Borlund and Cribbens, and between Poe and Jones, are awkward and not fully realized. (Just what is it about the mild Cribbens that Borlund - also mild but with more banked heat - so dislikes? And what the F is between Poe and Jones, that Poe both dislikes and cares for Jones?) 
    What I did like: Borlund's man of mystery persona, Ms. Kidd's diffidence and skill with a pistol, Poe's sunny attitude, Mr. Kidd's smarmy assholishness, and Cribbens' willingness to shoot someone for accusing him of cheating.
overall: mildly recommended
 
[the title quotation is from Last Chance Harvey]